"In natali Domini (a 4)" by Michael Praetorius, Viva-Voce had its release date on October 31, 1999. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Praetorius, M.: Puer Natus in Bethlehem (Renaissance Christmas Music)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Sweden. In terms of popularity, In natali Domini (a 4) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With In natali Domini (a 4) by Michael Praetorius, Viva-Voce having a テンポ of 113 with a half-time of 56 テンポ and a double-time of 226 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso, Op. 6 No. 8 "Christmas Concerto": III. Adagio. Allegro. Adagio | Kammerorchester Ensemble Classico, Lui Chan, Pierre Cochand | F♯ Minor | 1 | 11A | 74 BPM | ||
Joseph, lieber Joseph mein | Hieronymus Praetorius, Voces8 | F♯ Major | 3 | 2B | 81 BPM | ||
Vox in Rama | George Kirbye, Traditional, The Sixteen, Harry Christophers | F Minor | 1 | 4A | 74 BPM | ||
All-Night Vigil, Op. 37 "Vespers": No. 6, Ave Maria | Sergei Rachmaninoff, The Cambridge Singers, John Rutter | F Major | 0 | 7B | 151 BPM | ||
Ríu, Ríu, Chíu | Chanticleer | C Minor | 3 | 5A | 131 BPM | ||
Ave Maria | Robert Parsons, The Cambridge Singers, John Rutter | B♭ Major | 1 | 6B | 82 BPM | ||
Mozart: Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, Winchester Cathedral Choir, David Hill | E♭ Major | 1 | 5B | 132 BPM | ||
The Creation H XXI:2 (1988 Digital Remaster), Part I: The heavens are telling (chorus with trio) | Franz Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks | C Major | 3 | 8B | 88 BPM | ||
Wie schon leuchtet der Morgenstern …: Wie schon leuchtet der Morgenstern... | Michael Praetorius, Viva-Voce | F Major | 1 | 7B | 172 BPM | ||
Psallite unigenito | Michael Praetorius, Peter Kopp, Vocal Concert Dresden | G Major | 1 | 9B | 165 BPM |