"Cum Dederit" by Armand Amar, Sandrine Piau was released on June 5, 2009. With this song being about 5 minutes long, at 5:03, "Cum Dederit" by Armand Amar, Sandrine Piau is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Armand Amar's "Home (Original Motion Picture Soundtrack) [Deluxe Version]" album is number 24 out of 24. On top of that, France appears to be the country where this track was created. Based on our statistics, Cum Dederit's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cum Dederit by Armand Amar, Sandrine Piau to be Allegro (fast, quick, and bright) because the track has a tempo of 136 テンポ, a half-time of 68テンポ, and a double-time of 272 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
On the Nature of Daylight | Max Richter, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | B♭ Minor | 3 | 3A | 65 BPM | ||
Barber: Adagio for Strings, Op. 11a (After "Molto adagio" from String Quartet, Op. 11) | Samuel Barber, London Symphony Orchestra, Michael Tilson Thomas | D Minor | 0 | 7A | 75 BPM | ||
Frozen River Flows | Dobrinka Tabakova, Roman Mints, Raimondas Sviackevičius, Donatas Bagurskas | E♭ Major | 0 | 5B | 135 BPM | ||
Marceta No'm Faces Plorar, C. 1700 (Anon. Alicante) | Traditional, Hespèrion XXI, Montserrat Figueras | D♭ Major | 2 | 3B | 85 BPM | ||
Flesh And Bone: Dakini: Movement IV | Adam Crystal | C Minor | 5 | 5A | 125 BPM | ||
María Santísima de Araceli | Alberto Iglesias | A Minor | 1 | 8A | 136 BPM | ||
O vis eternitatis | Hildegard von Bingen, Sequentia, Barbara Thornton | A Minor | 1 | 8A | 62 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: I. Prélude | Johann Sebastian Bach, Pierre Fournier | G Major | 1 | 9B | 137 BPM | ||
Salento | René Aubry | E Minor | 4 | 9A | 100 BPM | ||
Agnus Dei, Adagio Op. 11 | Samuel Barber, Accentus, Laurence Equilbey | B♭ Minor | 1 | 3A | 74 BPM |