Montserrat Figueras, Hespèrion XXI made "Canarios: No piense Menguilla (J. Marin)" available on January 1, 2007. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Montserrat Figueras, Jordi Savall, Hespèrion XXI, Le Concert Des Nations, La Capella Reial De Catalunya's "Ludi Musici - The Spirit of Dance" album is number 19 out of 24. On top of that, Switzerland appears to be the country where this track was created. Based on our statistics, Canarios: No piense Menguilla (J. Marin)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Canarios: No piense Menguilla (J. Marin) by Montserrat Figueras, Hespèrion XXI to be Allegro (fast, quick, and bright) because the track has a tempo of 130 テンポ, a half-time of 65テンポ, and a double-time of 260 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spagnoletta | Michael Praetorius, Atrium Musicae de Madrid, Gregorio Paniagua | B♭ Major | 1 | 6B | 70 BPM | ||
Lady Hunsdon's Puffe, P. 54 | John Dowland, Nigel North | B♭ Major | 2 | 6B | 78 BPM | ||
Quelles beautés, ô mortels (Récit de Mnémosyne) | Antoine Boësset, Simone Kermes, Enrico Casazza | D Major | 4 | 10B | 91 BPM | ||
The Lamentations Of Jeremiah: 1. Incipit lamentatio | Thomas Tallis, The Hilliard Ensemble | D Minor | 1 | 7A | 133 BPM | ||
Tedesca - Saltarello | Giorgio Mainerio, Ulsamer Collegium, Josef Ulsamer | E Minor | 1 | 9A | 85 BPM | ||
sopra Canaryo | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | G Major | 1 | 9B | 79 BPM | ||
Madrigali amorosi: No. 9, Canzonetta by Rinuccini, Lamento della Ninfa (extrait) | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | A Minor | 0 | 8A | 129 BPM | ||
Byrd: In nomine a 5 IV | William Byrd, Fretwork | C Minor | 1 | 5A | 182 BPM | ||
Canço: "A chantarm’er de so" | Montserrat Figueras, Comtessa de Dia, Hespèrion XXI | F Major | 1 | 7B | 98 BPM | ||
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM |