Arts Music Recording, Rotterdam, Johann Sebastian Bach, Pieter-Jan Belder's 'Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Variatio 24, Canone All'Ottava' came out on December 22, 2006. The duration of Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Variatio 24, Canone All'Ottava is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Variatio 24, Canone All'Ottava's duration is considered a little bit shorter than the average duration of a typical track. The song is number 25 out of 32 in Bach Edition Vol. 3, キーboard Works Vol. I Part: 11 by Arts Music Recording, Rotterdam. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Variatio 24, Canone All'Ottava is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Variatio 24, Canone All'Ottava by Arts Music Recording, Rotterdam, Johann Sebastian Bach, Pieter-Jan Belder is Andante (at a walking pace), since this song has a tempo of 106 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Concerto in G major: Largo | Georg Philipp Telemann, Hartmut Rohde, Georg Mais | G Major | 0 | 9B | 166 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: III. Adagio | Georg Philipp Telemann, Boris Begelman | E♭ Minor | 1 | 2A | 49 BPM | ||
Symphony No. 103 in E-Flat Major, Hob.I:103, "Drumroll"*: I. Adagio - Allegro con spirito | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | E♭ Major | 1 | 5B | 116 BPM | ||
Divertimento In E Flat Major Kv 252: Andante | Arts Music Recording, Rotterdam, Martin Van De Merwe, Remco De Vries, Jos Buurman, Wolfgang Amadeus Mozart, Hans Wisse, Johan Steinmann, Irma Kort | C Major | 0 | 8B | 108 BPM | ||
Symphony in F Major, J-C 32: I. Presto | Giovanni Battista Sammartini, I Virtuosi Italiani, Alberto Martini | F Major | 1 | 7B | 131 BPM | ||
Concerto No 3 in B minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B♭ Minor | 2 | 3A | 142 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Piano Sonata No. 17 In B Flat, K.570: 2. Adagio | Wolfgang Amadeus Mozart, András Schiff | C Minor | 0 | 5A | 68 BPM | ||
Keyboard Sonata in A Major, Wq. 55/4, H. 186: II. Poco adagio | Carl Philipp Emanuel Bach, Christopher Hinterhuber | F♯ Minor | 0 | 11A | 131 BPM |