Giovanni Battista Sammartini, I Virtuosi Italiani, Alberto Martini's 'Symphony in F Major, J-C 32: I. Presto' came out on April 1, 2014. The duration of Symphony in F Major, J-C 32: I. Presto is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Symphony in F Major, J-C 32: I. Presto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 15 in Biscogli: Concerto for Trumpet, Oboe & Bassoon - Sammartini: Symphonies by Giovanni Battista Sammartini, I Virtuosi Italiani, Alberto Martini. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, Symphony in F Major, J-C 32: I. Presto's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Symphony in F Major, J-C 32: I. Presto by Giovanni Battista Sammartini, I Virtuosi Italiani, Alberto Martini is Allegro (fast, quick, and bright), since this song has a tempo of 131 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Symphony in E-Flat Major, Op. 11, No. 3: I. Allegro assai | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | B♭ Major | 2 | 6B | 154 BPM | ||
Concerto pour violon "Les Rainettes", en La Majeur: Concerto pour violon "Les Rainettes", en La Majeur: I. Ohne Satzbezeichnung | Georg Philipp Telemann, Midori Seiler, Stephan Mai, Akademie für Alte Musik Berlin | A♭ Major | 2 | 4B | 117 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Christine Pichlmeier, Lisa Stewart, Cologne Chamber Orchestra, Helmut Muller-Bruhl | F♯ Major | 1 | 2B | 141 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Concerto in E minor for oboe, strings and basso continuo: I. Andante | Georg Philipp Telemann, Han De Vries, Alma Musica Amsterdam, Bob van Asperen, Wouter Möller | E♭ Minor | 1 | 2A | 105 BPM | ||
Symphony No. 103 in E-Flat Major, Hob.I:103, "Drumroll"*: I. Adagio - Allegro con spirito | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | E♭ Major | 1 | 5B | 116 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM | ||
Concerto In Do maggiore: Allegro Molto | Modo Antiquo | F♯ Major | 1 | 2B | 123 BPM | ||
L'estro armonico No. 8, A-Minor, RV 522, op. 3: III. Allegro | Stuttgart Chamber Orchestra, Martin Sieghart, Rainer Kussmaul, Herwig Zack | A Minor | 2 | 8A | 148 BPM |