"Surge propera" by Alessandro Grandi, Accademia d'Arcadia, Alessandra Rossi Lürig, Laura Martinez Boj, Renato Cadel was released on July 12, 2019. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 15 in Alessandro Grandi: Celesti Fiori - Motetti by Alessandro Grandi, Accademia d'Arcadia, UtFaSol Ensemble, Alessandra Rossi Lürig. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Surge propera is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Surge propera by Alessandro Grandi, Accademia d'Arcadia, Alessandra Rossi Lürig, Laura Martinez Boj, Renato Cadel is Vivace (lively and fast), since this song has a tempo of 170 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wer nur den lieben Gott lässt walten, BWV 691 | Johann Sebastian Bach, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM | ||
Arie, Op. 8: No. 6, Che si può fare (Arr. for voice and strings by Richard Birchall) | Barbara Strozzi, Héloïse Werner, Max Baillie, Julian Azkoul, Ruth Gibson, Colin Alexander, Marianne Schofield | D Minor | 1 | 7A | 140 BPM | ||
Der Herr ist mit mir, darum fürchte ich mich nicht, BuxWV 15 | Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen, Hannah Morrison, Hanna Kopra, Immo Schroder, Benoît Giaux | C Minor | 1 | 5A | 140 BPM | ||
Christ lag in Todesbanden: IVb. Rittornello | Johann Kuhnau, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": Celia, That I Once Was Blest (Soprano) | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 115 BPM | ||
Biber: Requiem a 15 in A Major: VI. Agnus Dei | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 0 | 6B | 108 BPM | ||
Membra Jesu nostri, BuxWV 75: IVb. Ad latus: Salve latus Salvatoris | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Atys, LWV 53, Prologue: Ritournelle | Jean-Baptiste Lully, Les Talens Lyriques, Christophe Rousset | B♭ Major | 2 | 6B | 119 BPM | ||
Aria di Cantar Sestine: A Qualunque Animale | Stefano Landi, Musica Sequenza, BURAK, Diana Ramirez | A Major | 2 | 11B | 83 BPM | ||
A Sonata of Scots Tunes: O Mother what shall I do - Ettrick Banks - She Rose and let me in | James Oswald, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | D♭ Major | 1 | 3B | 87 BPM |