"Arie, Op. 8: No. 6, Che si può fare (Arr. for voice and strings by Richard Birchall)" by Barbara Strozzi, Héloïse Werner, Max Baillie, Julian Azkoul, Ruth Gibson, Colin Alexander, Marianne Schofield was released on May 31, 2024. With this song being about 5 minutes long, at 5:15, "Arie, Op. 8: No. 6, Che si può fare (Arr. for voice and strings by Richard Birchall)" by Barbara Strozzi, Héloïse Werner, Max Baillie, Julian Azkoul, Ruth Gibson, Colin Alexander, Marianne Schofield is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Arie, Op. 8: No. 6, Che si può fare (Arr. for voice and strings by Richard Birchall) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Arie, Op. 8: No. 6, Che si può fare (Arr. for voice and strings by Richard Birchall)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Arie, Op. 8: No. 6, Che si può fare (Arr. for voice and strings by Richard Birchall) by Barbara Strozzi, Héloïse Werner, Max Baillie, Julian Azkoul, Ruth Gibson, Colin Alexander, Marianne Schofield is Allegro (fast, quick, and bright), since this song has a tempo of 140 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Convocamini, congregamini: No. 1, Convocamini, congregamini (Lucifero) | Rinaldo Alessandrini, Concerto Italiano, Gabriele Lombardi | A Major | 3 | 11B | 93 BPM | ||
Symphony No.2, Part Seven | Daryl Runswick, Héloïse Werner, BBC National Orchestra Of Wales | E Major | 0 | 12B | 137 BPM | ||
Te Deum: VIII. Aeterna fac cum sanctis tuis | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Esther Lay, Helen Charlston, Giles Underwood, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Tito Manlio, RV 738: No che non vedrà Roma | Antonio Vivaldi, Miho Fukui, Dominik Worner, Ensemble F | F♯ Minor | 6 | 11A | 157 BPM | ||
Sonata a 6 in D Minor, G. 23 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | D Major | 1 | 10B | 93 BPM | ||
Lullaby for a sister | Héloïse Werner, Colin Alexander | C Minor | 0 | 5A | 78 BPM | ||
Symphony No.2, Part Five | Daryl Runswick, Héloïse Werner, BBC National Orchestra Of Wales | A♭ Major | 6 | 4B | 83 BPM | ||
Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Trio Sonata in F Major, TWV 42:F6: II. Largo | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | G Minor | 4 | 6A | 120 BPM | ||
Mein Herze schwimmt im Blut, BWV 199: No. 4, Tief gebückt und voller Reue | Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei Stuttgart | E Major | 1 | 12B | 111 BPM |