Nicol Matt, Heike Hümmer, Soloists Of The Freiburger Barockorchester, Johann Sebastian Bach, Jens Wollenschläger, Ute Petersilge, Nordic Chamber Choir, Jörg Halobek, Robert Sagasser, Martina Rotbauer made "Erhalt' Uns, Herr, Bei Deinem Wort, Cantate Bwv 6" available on March 28, 2007. With Erhalt' Uns, Herr, Bei Deinem Wort, Cantate Bwv 6 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 44 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Erhalt' Uns, Herr, Bei Deinem Wort, Cantate Bwv 6 is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Erhalt' Uns, Herr, Bei Deinem Wort, Cantate Bwv 6 by Nicol Matt, Heike Hümmer, Soloists Of The Freiburger Barockorchester, Johann Sebastian Bach, Jens Wollenschläger, Ute Petersilge, Nordic Chamber Choir, Jörg Halobek, Robert Sagasser, Martina Rotbauer is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Tempore Quadragesimae, MH 553: Benedictus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 67 BPM | ||
Missa Dolorosa: VI. Agnus Dei | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Spatzenmesse in C-Dur, KV. 220 'Missa - Sanctus' | Ingrid Hofer, Wolfgang Bankl, Michael Gailit, Manfred Equiluz, Chor, Solisten & Orchester von St. Augustin, Brigitta Karwautz | C Major | 1 | 8B | 105 BPM | ||
Spatzenmesse in C-Dur, KV. 220 'Missa - Gloria' | Brigitta Karwautz, Ingrid Hofer, Michael Gailit, Manfred Equiluz, Chor, Solisten & Orchester von St. Augustin, Wolfgang Bankl | C Major | 1 | 8B | 122 BPM | ||
Concerto grosso No. 4 in A Minor, Op. 6/4, HWV 322: III. Largo, e piano | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Minor | 4 | 1A | 75 BPM | ||
Messiah, HWV 56: Part 2: Their sound is gone out (Chorus) | Nikolaus Harnoncourt | D Major | 3 | 10B | 86 BPM | ||
Missa S. Marcellini: XXVIII. Agnus Dei 3 - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 3 | 3B | 110 BPM | ||
Sie werden aus Saba alle kommen, BWV 65: No. 7, Was mein Gott will, das g'scheh' allzeit | Johann Sebastian Bach, Chamber Choir Of Europe, Nicol Matt | A♭ Minor | 2 | 1A | 83 BPM | ||
Missa in G Minor, BWV 235: II. Gloria | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Anna Zander, Carlos Mena, Hans-Jörg Mammel, Maria Keohane, Stephan MacLeod | D Minor | 7 | 7A | 109 BPM | ||
Credo, RV 591: 4. Et resurrexit | Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Minor | 2 | 6A | 103 BPM |
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