"Letters from a Black Snake: No. 2, They Know I Have Been Wronged" by George Palmer, Ned Kelly, Barry Ryan, Jeanell Carrigan was released on July 12, 2019. The duration of Letters from a Black Snake: No. 2, They Know I Have Been Wronged is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Letters from a Black Snake: No. 2, They Know I Have Been Wronged's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Barry Ryan, Jeanell Carrigan's "Letters from a Black Snake" album is number 2 out of 19. Letters from a Black Snake: No. 2, They Know I Have Been Wronged is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Letters from a Black Snake: No. 2, They Know I Have Been Wronged by George Palmer, Ned Kelly, Barry Ryan, Jeanell Carrigan to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toc de fabiol | Pau Marquès i Oleo, Belinfante Quartet | F Major | 2 | 7B | 127 BPM | ||
Spanish Songs, Op. 100 (Arr. for Cello & Piano by Stanislas Emanuel Kim and Marie Rosa Günter): No. 6, Dream | Dmitri Shostakovich, Marie Rosa Günter, Stanislas Emanuel Kim | C Major | 1 | 8B | 127 BPM | ||
Sonate pour violoncelle No. 2, Op. 81: I. allegro moderato | Nikolai Myaskovsky, Anastasia Kobekina, Paloma Kouider | A Major | 1 | 11B | 85 BPM | ||
Sonatina | Morton Feldman, Marilyn Nonken, Stephen Marotto | B♭ Minor | 0 | 3A | 164 BPM | ||
Violin Sonata in E-Flat Major: II. Andante cantabile | Elfrida Andrée, Annette-Barbara Vogel, Durval Cesetti | A Minor | 1 | 8A | 126 BPM | ||
Jesus of Nazareth - Epic Orchestral Version | Stavros Kleisiaris | E Minor | 1 | 9A | 140 BPM | ||
Apollon Musagète, K. 048: VII. Variation d'Apollon | Igor Stravinsky, BBC Philharmonic, Andrew Davis | A Minor | 0 | 8A | 97 BPM | ||
Antigua 6 (Gigue) | Claudio Constantini | D Major | 5 | 10B | 67 BPM | ||
Foster: 金髪のジェニー | スティーブン・コリンズ・フォスター, Mariko Senju, 山洞 智 | D Major | 1 | 10B | 61 BPM | ||
二つの悲しき旋律: 第2曲: 過ぎし春 | Edvard Grieg, 石田泰尚, 石田組 | F Major | 1 | 7B | 74 BPM |
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