"Sonate pour violoncelle No. 2, Op. 81: I. allegro moderato" by Nikolai Myaskovsky, Anastasia Kobekina, Paloma Kouider was released on October 11, 2018. Since Sonate pour violoncelle No. 2, Op. 81: I. allegro moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 12 in Anastasia Kobekina et Paloma Kouider by Anastasia Kobekina, Paloma Kouider. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Sonate pour violoncelle No. 2, Op. 81: I. allegro moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonate pour violoncelle No. 2, Op. 81: I. allegro moderato by Nikolai Myaskovsky, Anastasia Kobekina, Paloma Kouider is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Timo Andres: Upstate Obscura: 1. Valley of Strange Shapes | Timo Andres, Metropolis Ensemble, Andrew Cyr, Inbal Segev | A♭ Major | 2 | 4B | 89 BPM | ||
Cello Sonata No. 2 in A Minor, Op. 81: III. Allegro con spirit | Nikolai Myaskovsky, Luca Magariello, Cecilia Novarino | D Minor | 3 | 7A | 131 BPM | ||
The Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, The Australian Trio | D♭ Minor | 1 | 12A | 73 BPM | ||
Providence | Anthony Rozankovic, Louise Bessette | C Major | 0 | 8B | 66 BPM | ||
Bach Prelude BWV 855a concert transcription by A. Siloti - Живая версия | Luka Okros | F♯ Major | 2 | 2B | 81 BPM | ||
Jesus Cristo, Meu Senhor | Diego Adinolfi | A♭ Major | 1 | 4B | 112 BPM | ||
Prelude No. 5 | Federico Mompou, Olena Kushpler | D Minor | 0 | 7A | 74 BPM | ||
Poem I | Gillian Pereira, Sally Greenaway | G Major | 2 | 9B | 79 BPM | ||
二つの悲しき旋律: 第2曲: 過ぎし春 | Edvard Grieg, 石田泰尚, 石田組 | F Major | 1 | 7B | 74 BPM | ||
Epigrams | Zoltán Kodály, Megumi Ozawa, Mika Yamamoto | B♭ Major | 0 | 6B | 99 BPM |
Section: 0.6725614070892334
End: 0.6761312484741211