"Gulliver's Travels (Recons. J. Morgan): Giant In Tow" by Moscow Symphony Orchestra, Moscow Symphony Chorus, John Morgan, Victor Young was released on December 3, 1998. With Gulliver's Travels (Recons. J. Morgan): Giant In Tow being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "The Uninvited / Gulliver' s Travels". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Gulliver's Travels (Recons. J. Morgan): Giant In Tow is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gulliver's Travels (Recons. J. Morgan): Giant In Tow by Moscow Symphony Orchestra, Moscow Symphony Chorus, John Morgan, Victor Young having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Op. 57: Act I - Grand Adagio | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Major | 1 | 10B | 138 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
The Flight of the Bumblebee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Finghin Collins | D Minor | 2 | 7A | 92 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
6 Etudes: Tres long | Alexandre Tansman, Moscow Symphony Orchestra, Antonio de Almeida | E Minor | 0 | 9A | 103 BPM | ||
The Widow of Valencia Suite: III. Song | Aram Khachaturian, Moscow Symphony Orchestra, Veronika Dudarova | A Major | 1 | 11B | 77 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 9: Danse des Ghazies | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | F Major | 0 | 7B | 81 BPM | ||
Requiem, Op. 72: Part II: VI. ʻA Motherʼs Heartʼ | Moscow Symphony Orchestra, Leningrad Philharmonic Orchestra, Dmitry Kabalevsky | A♭ Major | 3 | 4B | 140 BPM | ||
Sorcerer's Apprentice | Paul Dukas, Orchestre Symphonique de Montréal, Kent Nagano | D♭ Major | 2 | 3B | 123 BPM |
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