- BPM
- 63
- Key
- A Minor
- Camelot
- 8A
Nunc dimittis - Geoffrey Burgon, Thomas Hopkinson, Choir of King's College, Cambridge, John Wallace, Stephen Cleobury Information
- Acousticness
- 81%
- Danceability
- 22%
- Energy
- 3%
- Instrumentalness
- 80%
- Liveness
- 20%
- Loudness
- 45%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 17%
- Loudness
- -32.939 dB
Summary
"Nunc dimittis" by Geoffrey Burgon, Thomas Hopkinson, Choir of King's College, Cambridge, John Wallace, Stephen Cleobury was released on January 1, 1978. The duration of Nunc dimittis is about 3 minutes long, at 3:04. Based on our data, "Nunc dimittis" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 11 in Burgon: Requiem; Nunc dimittis by Geoffrey Burgon, Choir of King's College, Cambridge, Stephen Cleobury, London Symphony Chorus, Richard Hickox. Nunc dimittis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Nunc dimittis BPM
The tempo marking of Nunc dimittis by Geoffrey Burgon, Thomas Hopkinson, Choir of King's College, Cambridge, John Wallace, Stephen Cleobury is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Nunc dimittis Key
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lohengrin, WWV 75: Prelude to Act III - Bridal Chorus (Arr. for Organ) | Richard Wagner, Stephen Cleobury | B♭ Major | 0 | 6B | 75 BPM | |
 | Parry: I Was Glad | Hubert Parry, Choir of King's College, Cambridge, Cambridge University Musical Society Chorus, Royal Military School Of Music Band, New Philharmonia Orchestra, Philip Ledger | B♭ Major | 3 | 6B | 68 BPM | |
 | God So Loved the World | Bob Chilcott, BYU Concert Choir, Rosalind Hall | G Minor | 1 | 6A | 62 BPM | |
 | Now Thank We All Our God (Nun Danket Alle Gott) | Johann Crüger, Choir of King's College, Cambridge, Stephen Cleobury | F Major | 2 | 7B | 89 BPM | |
 | Bizet: Les Pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | E♭ Major | 2 | 5B | 88 BPM | |
 | Simple Gifts | Aaron Copland, David L. Brunner, National Youth Choir of Scotland, Royal Scottish National Orchestra, Christopher Bell | A♭ Major | 1 | 4B | 133 BPM | |
 | Elgar: Sea Pictures, Op. 37: IV. Where Corals Lie, "The deeps have music" (Allegretto ma non troppo) | Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | B Minor | 1 | 10A | 66 BPM | |
 | Little Serenade | Ernest Tomlinson, Slovak Radio Symphony Orchestra | A Major | 0 | 11B | 143 BPM | |
 | Come away, come away death, Op.18, No.1 - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Minor | 1 | 9A | 109 BPM | |
 | The Blue Bird | Charles Villiers Stanford, Cai Thomas, Pegasus Chamber Choir, Robert Lewis | F♯ Major | 1 | 2B | 61 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7314910888671875
End: 0.7350685596466064