Nicol Matt, Jörg Halobek, Martina Rotbauer, Jens Wollenschläger, Ute Petersilge, Soloists Of The Freiburger Barockorchester, Heike Hümmer, Nordic Chamber Choir, Robert Sagasser, Johann Sebastian Bach's 'Jesu, Der Du Selbst So Wohl Bwv 355' came out on March 28, 2007. With Jesu, Der Du Selbst So Wohl Bwv 355 being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 45 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Jesu, Der Du Selbst So Wohl Bwv 355 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Jesu, Der Du Selbst So Wohl Bwv 355 by Nicol Matt, Jörg Halobek, Martina Rotbauer, Jens Wollenschläger, Ute Petersilge, Soloists Of The Freiburger Barockorchester, Heike Hümmer, Nordic Chamber Choir, Robert Sagasser, Johann Sebastian Bach is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 10, "Oh wie sanft die Quelle sich" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | G Major | 2 | 9B | 134 BPM | ||
Mein Herze schwimmt im Blut, BWV 199: No. 2, Stumme Seufzer, stille Klagen | Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei Stuttgart | D♭ Minor | 0 | 12A | 77 BPM | ||
Laudate Pueri: VIII. Sicut erat | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Am Morgen | Alexander Därr | D Major | 0 | 10B | 112 BPM | ||
Missa S. Marcellini: III. Kyrie - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 3 | 3B | 172 BPM | ||
Requiem "Misa": XIV. Comunion. Lux aeterna | José de Nebra, Coro Victoria, Schola Antiqua, La Madrileña, José Antonio Montaño | F♯ Major | 2 | 2B | 71 BPM | ||
Israel in Egypt, HWV 54: Part III, Moses Song: The earth swallowed them (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Gagliarda Prima detta la Galante | The Royal Wind Music | A♭ Minor | 0 | 1A | 66 BPM | ||
Concerto à 5 in A Minor for Oboe Solo and Strings, Op. 9 No. 8: II. Adagio | Tomaso Albinoni, Stefan Schilli, Stuttgart Chamber Orchestra, Nicol Matt | F Major | 4 | 7B | 121 BPM | ||
Dixit Dominus, HWV 232: VIII. Conquassabit capita | George Frideric Handel, Vox Luminis, Lionel Meunier | A Major | 1 | 11B | 101 BPM |
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