Manuel de Falla, Maria Jose Martos, Asturias Symphony Orchestra, Maximiano Valdes's 'El sombrero de tres picos (The Three-Cornered Hat): Part II: Danza del corregidor (Corregidor's Dance)' came out on May 1, 2005. Since El sombrero de tres picos (The Three-Cornered Hat): Part II: Danza del corregidor (Corregidor's Dance) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 20 out of 22 in Falla: Amor Brujo (El) / El Sombrero De Tres Picos by Manuel de Falla, Maximiano Valdes. Based on our statistics, El sombrero de tres picos (The Three-Cornered Hat): Part II: Danza del corregidor (Corregidor's Dance)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of El sombrero de tres picos (The Three-Cornered Hat): Part II: Danza del corregidor (Corregidor's Dance) by Manuel de Falla, Maria Jose Martos, Asturias Symphony Orchestra, Maximiano Valdes is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El sombrero de tres picos - Part 1: Afternoon | Manuel de Falla, Orchestre Symphonique de Montréal, Charles Dutoit | C Major | 1 | 8B | 71 BPM | ||
9 Preludes, Op. 1: No. 1 in B Minor. Andante ma non troppo | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor, Dumka (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | C Major | 0 | 8B | 132 BPM | ||
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
3 Romances sans paroles (from Six Romances sans paroles, Op. 76): No. 1, Souvenance. Andantino | Cécile Chaminade, Eric Parkin | B Minor | 0 | 10A | 87 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
7 Canciones populares españolas (arr. P. Kochanski): No. 6. Cancion | Paul Kochanski, Manuel de Falla, Jesus Angel Leon, Miguel Angel Muñoz | G Major | 1 | 9B | 68 BPM | ||
7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): Jota | Paul Kochanski, Manuel de Falla, Robert Koenig, Si-Qing Lu | E Major | 1 | 12B | 137 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM |
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