Richard Jones, Rachel Podger, Brecon Baroque's ' "Chamber Airs for a Violin and Thorough Bass Op. 2, No. 4 in A Minor: I. Preludio. Largo" was released on its scheduled release date, May 24, 2024. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Chamber Airs for a Violin and Thorough Bass Op. 2, No. 4 in A Minor: I. Preludio. Largo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "The Muses Restor'd". In this album, this song's track order is #27. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Chamber Airs for a Violin and Thorough Bass Op. 2, No. 4 in A Minor: I. Preludio. Largo is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Chamber Airs for a Violin and Thorough Bass Op. 2, No. 4 in A Minor: I. Preludio. Largo by Richard Jones, Rachel Podger, Brecon Baroque having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia-Suite in A Minor, VdGS group IV, No. 1: III. Courante | John Jenkins, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Concerto in D Minor, Op. 6 No. 3: II. Allegro spiritoso | Charles Avison, Café Zimmermann | G Major | 1 | 9B | 120 BPM | ||
Concerto grosso in D Major, Op. 3 No. 4: II. Allegro ardito | Pietro Castrucci, Antonio Anselmi, Marco Serino, Vito Paternoster, I Musici | D Minor | 3 | 7A | 71 BPM | ||
Il Giardino d'Amore: Sinfonia | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 0 | 1A | 65 BPM | ||
Ayres for the Violin, books 1 & 4: Grave | Nicola Matteis, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | F♯ Minor | 3 | 11A | 88 BPM | ||
Le Bourgeois gentilhomme, LWV 43, Act IV Scene 5: Marche pour la cérémonie des Turcs (Arr. for 2 Harpsichords by William Christie & Justin Taylor) | Jean-Baptiste Lully, William Christie, Justin Taylor | F♯ Minor | 4 | 11A | 85 BPM | ||
Sonata No. 4 in B Flat Major: XVII. 17 3. Grave | Francesco Geminiani, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen | A♭ Major | 1 | 4B | 78 BPM | ||
Sinfonia Doriclea | Francesco Cavalli, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: III. Presto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Hamburg Symphony No. 5 in B Minor, Wq. 182: II. Larghetto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM |