Sergei Prokofiev, Chamber Orchestra of Europe, Claudio Abbado, José Carreras made "Pedro Y El Lobo (Peter and the Wolf): "En la rama de un árbol enorme estaba un precioso pajarito" - Narration in Spain" available on January 1, 1990. With Pedro Y El Lobo (Peter and the Wolf): "En la rama de un árbol enorme estaba un precioso pajarito" - Narration in Spain being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Prokofiev: Pedro y el Lobo; Obertura sobre temas; Sinfonia Classica". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Pedro Y El Lobo (Peter and the Wolf): "En la rama de un árbol enorme estaba un precioso pajarito" - Narration in Spain is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Pedro Y El Lobo (Peter and the Wolf): "En la rama de un árbol enorme estaba un precioso pajarito" - Narration in Spain by Sergei Prokofiev, Chamber Orchestra of Europe, Claudio Abbado, José Carreras having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Infant Kisses | Bonn Classical Philharmonic | F Major | 0 | 7B | 129 BPM | ||
Horn Concerto No. 2 in E Flat Major, TrV. 283: Allegro | Richard Strauss, Ronald Janezic, Wiener Philharmoniker, André Previn | C Major | 1 | 8B | 77 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 4. Allegro vivace | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 2 | 6B | 78 BPM | ||
Lovely Cloudy | Bonn Classical Philharmonic | F Major | 0 | 7B | 63 BPM | ||
Cuadros de una exposición para orquesta: No. 6, Samuel Goldenberg y Schmuyle | Orquesta Filarmónica de Slavonia, Alberto Lizzio | F♯ Minor | 2 | 11A | 124 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: Overture, Op. 21, MWV P3 | Felix Mendelssohn, Nikolaus Harnoncourt, Chamber Orchestra of Europe | C Major | 2 | 8B | 90 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: IV. Carillon | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E Major | 0 | 12B | 143 BPM | ||
L'Arlésienne Suite No.2: Pastorale | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 80 BPM | ||
Fauré / Orch. Rabaud: Dolly, Op. 56: III. Le jardin de Dolly | Gabriel Fauré, Orchestre National de France/Sir Thomas Beecham, Sir Thomas Beecham, Orchestre National De France | D♭ Minor | 2 | 12A | 82 BPM |
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