"Cuadros de una exposición para orquesta: No. 6, Samuel Goldenberg y Schmuyle" by Orquesta Filarmónica de Slavonia, Alberto Lizzio was released on May 8, 1978. The duration of Cuadros de una exposición para orquesta: No. 6, Samuel Goldenberg y Schmuyle is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Cuadros de una exposición para orquesta: No. 6, Samuel Goldenberg y Schmuyle's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Orquesta Filarmónica de Slavonia, Alberto Lizzio's "Mussorgsky: Cuadros de una exposición - Una noche en el Monte Pelado" album is number 10 out of 15. Based on our statistics, Cuadros de una exposición para orquesta: No. 6, Samuel Goldenberg y Schmuyle's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cuadros de una exposición para orquesta: No. 6, Samuel Goldenberg y Schmuyle by Orquesta Filarmónica de Slavonia, Alberto Lizzio to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": III. Molto vivace | Antonín Dvořák, Oslo Philharmonic Orchestra, Mariss Jansons | E Minor | 1 | 9A | 132 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
Una noche en el Monte Pelado para orquesta | Orquesta Filarmónica de Slavonia, Alberto Lizzio | D Major | 4 | 10B | 107 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): III. Danse collective | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
Night on Bald Mountain | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | D Major | 2 | 10B | 69 BPM | ||
Radiogram Minuet | Bonn Classical Philharmonic | D Minor | 0 | 7A | 138 BPM | ||
Horn Concerto No. 2 in E Flat Major, TrV. 283: Andante con moto | Richard Strauss, Ronald Janezic, Wiener Philharmoniker, André Previn | A♭ Major | 0 | 4B | 78 BPM | ||
I vespri siciliani: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Major | 2 | 12B | 77 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527: Overture | Wolfgang Amadeus Mozart, Mahler Chamber Orchestra, Yannick Nézet-Séguin | D Major | 1 | 10B | 140 BPM | ||
Medea Suite, Op. 23: III. The Young Princess. Jason | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 111 BPM |
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