Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Kammerchor Stuttgart, Frieder Bernius's 'Magnificat in D Major: VI. Gloria Patri' came out on October 1, 2008. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Kammerchor Stuttgart, Frieder Bernius's "Mendelssohn: Magnificat. Kirchenwerke VIII" album is number 6 out of 18. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Magnificat in D Major: VI. Gloria Patri is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat in D Major: VI. Gloria Patri by Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Kammerchor Stuttgart, Frieder Bernius to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet: I. Modéré | Germaine Tailleferre, Fanny Mendelssohn Quartet | G Major | 4 | 9B | 136 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): II. Un poco lento, cantabile | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | D Major | 1 | 10B | 72 BPM | ||
Andante festivo, JS 34b (Version for String Orchestra & Timpani) | Jean Sibelius, Sinfonia Lahti, Osmo Vänskä | G Major | 2 | 9B | 57 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Víkingur Ólafsson | F♯ Major | 0 | 2B | 76 BPM |
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