Mystery (Rosary) Sonata No. 7, "The Scourging at the Pillar": II. Sarab: Variatio - Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia Information

Acousticness: 86%
Danceability: 33%
Energy: 10%
Instrumentalness: 1%
Liveness: 15%
Loudness: 72%
Speechiness: 5%
Valence: 18%
Popularity: 8%
Loudness: -16.993 dB

Summary

"Mystery (Rosary) Sonata No. 7, "The Scourging at the Pillar": II. Sarab: Variatio" by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia was released on March 4, 2014. With this song being about 5 minutes long, at 5:19, "Mystery (Rosary) Sonata No. 7, "The Scourging at the Pillar": II. Sarab: Variatio" by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 17 out of 42 in Biber: Rosenkrantz Sonaten (Mystery Sonatas) by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen. In terms of popularity, Mystery (Rosary) Sonata No. 7, "The Scourging at the Pillar": II. Sarab: Variatio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mystery (Rosary) Sonata No. 7, "The Scourging at the Pillar": II. Sarab: Variatio BPM

The tempo marking of Mystery (Rosary) Sonata No. 7, "The Scourging at the Pillar": II. Sarab: Variatio by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Mystery (Rosary) Sonata No. 7, "The Scourging at the Pillar": II. Sarab: Variatio Key

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sonata in D Major, Op. 6, No. 7: I. Grave Adagio	Tomaso Albinoni, Ensemble Barocco Sans Souci	G Minor	2	6A	134 BPM
Concerto di Flauti, S.D945: III. Presto	Alessandro Marcello, Dorothee Oberlinger	G Major	1	9B	143 BPM
Violin Sonata No. 6 in C Minor, C. 143: I. —	Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor	B Minor	1	10A	85 BPM
Maddalena ai piedi di Cristo: No. 1 Sinfonia	Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini	A♭ Major	2	4B	170 BPM
Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Dulcis Jesu, pie Deus"	Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg	C Minor	2	5A	90 BPM
Mystery (Rosary) Sonata No. 13, "Pentecost": III. Gigue	Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia	D♭ Minor	2	12A	113 BPM
Armide, LWV 71, Prologue: Ouverture (I)	Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique	B♭ Major	2	6B	120 BPM
Concerto in F Major, Op. 6 No. 6: I. Adagio	Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder	G Minor	1	6A	32 BPM
Partie (Suite) in G Major: II. Allemande	Johann Pachelbel, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel	F♯ Major	1	2B	76 BPM
Suite in G minor: IV. Bourree II (Arr. A. Camden)	George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward	C Minor	1	5A	114 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6323907375335693

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