"Götterdämmerung / Act 2: "Hoiho, Hagen! Müder Mann!" - Live In Bayreuth / 1967" by Richard Wagner, Wolfgang Windgassen, Josef Greindl, Ludmilla Dvorakova, Bayreuth Festival Orchestra, Karl Böhm was released on January 1, 1973. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wagner: Götterdämmerung by Richard Wagner, Wolfgang Windgassen, Thomas Stewart, Gustav Neidlinger, Josef Greindl, Birgit Nilsson, Bayreuth Festival Orchestra, Karl Böhm. The song's track number on the album is #4 out of 44 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Götterdämmerung / Act 2: "Hoiho, Hagen! Müder Mann!" - Live In Bayreuth / 1967 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Götterdämmerung / Act 2: "Hoiho, Hagen! Müder Mann!" - Live In Bayreuth / 1967 by Richard Wagner, Wolfgang Windgassen, Josef Greindl, Ludmilla Dvorakova, Bayreuth Festival Orchestra, Karl Böhm has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Götterdämmerung / Act 2: "Hoiho, Hagen! Müder Mann!" - Live In Bayreuth / 1967 being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): IX. The Hut on Chicken's Legs | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | G Major | 2 | 9B | 166 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: III. Foxtrot | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | G Major | 0 | 9B | 123 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M13: Finale: Through this House Give Glimmering Light | Felix Mendelssohn, Kathleen Battle, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | E Major | 1 | 12B | 145 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Götterdämmerung, WWV 86D, Act III: Vorspiel | Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 64 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Symphony No. 3: II. Tempo di Menuetto. Sehr mäßig | Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel | A Major | 0 | 11B | 137 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
La fille du régiment / Act 1: Ah! mes amis, quel jour de fête! | Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM | ||
Eine Alpensinfonie: I. Nacht - Sonnenaufgang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 88 BPM |
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