"Lagrime d'amante al sepolcro dell'amata (a Lover's Tears at the Tomb of His Beloved): 3a parte - Dara la notte [By night]" by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini was released on June 26, 2007. The duration of Lagrime d'amante al sepolcro dell'amata (a Lover's Tears at the Tomb of His Beloved): 3a parte - Dara la notte [By night] is about 3 minutes long, at 3:13. Based on our data, "Lagrime d'amante al sepolcro dell'amata (a Lover's Tears at the Tomb of His Beloved): 3a parte - Dara la notte [By night]" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Claudio Monteverdi, Delitiæ Musicæ's "Monteverdi: Madrigals, Book 6" album is number 10 out of 35. On top of that, Hong Kong appears to be the country where this track was created. Lagrime d'amante al sepolcro dell'amata (a Lover's Tears at the Tomb of His Beloved): 3a parte - Dara la notte [By night] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lagrime d'amante al sepolcro dell'amata (a Lover's Tears at the Tomb of His Beloved): 3a parte - Dara la notte [By night] by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eia Mater | Andreas Scholl | B♭ Major | 1 | 6B | 98 BPM | ||
Vespers of 1610: Pulchra es | Claudio Monteverdi, Grace Davidson, Charlotte Mobs, Harry Christophers, The Sixteen | G Major | 0 | 9B | 87 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
Jesu, meines Lebens Leben, BuxWV 62 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | D Minor | 1 | 7A | 56 BPM | ||
Il giardino di rose: "Mentre io godo" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 111 BPM | ||
"If Music Be The Food Of Love", Z.379 | Henry Purcell, Emma Kirkby, Richard Campbell, Christopher Hogwood | F Major | 1 | 7B | 84 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
The Fairy Queen / Act 2: One Charming Night | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Minor | 1 | 10A | 80 BPM | ||
Missa Papae Marcelli: Sanctus | Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella | A Major | 1 | 11B | 134 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM |
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