On January 1, 1974, the song "Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 25b, Pas de quatre. Variation I "Cinderella and Prince Fortuné"" was released by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra. With Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 25b, Pas de quatre. Variation I "Cinderella and Prince Fortuné" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 61 in the song's album "Tchaikovsky: The Sleeping Beauty, Op. 66". In this album, this song's track order is #20. In terms of popularity, Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 25b, Pas de quatre. Variation I "Cinderella and Prince Fortuné" is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 25b, Pas de quatre. Variation I "Cinderella and Prince Fortuné" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana: X. Were diu werlt alle min | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | C Major | 2 | 8B | 143 BPM | ||
Apollo (1947 revision): Tableau II: Apotheosis: Apollo and the Muses | Igor Stravinsky, London Symphony Orchestra, Robert Craft | E Minor | 0 | 9A | 63 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": X. Dorabella (Dora Penny). Allegretto (Intermezzo) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Major | 0 | 9B | 78 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 16 (orch. Parlow) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | F Major | 1 | 7B | 144 BPM | ||
Mother Goose: VI. Laideronnette | Maurice Ravel, Barry Wordsworth, London Symphony Orchestra | A♭ Minor | 0 | 1A | 124 BPM | ||
Don Quixote: Act I: Espada | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | B♭ Major | 1 | 6B | 183 BPM | ||
Prokofiev: Cinderella, Op. 87, Act 2: No. 20, Court Dance (Andante grazioso) | Sergei Prokofiev, André Previn, London Symphony Orchestra | B♭ Major | 1 | 6B | 86 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28c, Pas de deux. Variation I "Prince Désiré" | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A Minor | 4 | 8A | 79 BPM | ||
Masquerade - Ballet Suite: 1. Waltz | Aram Khachaturian, London Symphony Orchestra, Stanley Black | C Major | 3 | 8B | 100 BPM | ||
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Dance of the Earth | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | G Major | 8 | 9B | 79 BPM |
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