Giovanni Battista Marella, Alexandre Lagoya, Ida Presti's 'Suite No.1 in A Major - Transcr. for two guitars A. Lagoya: 1. Andante' came out on January 1, 1995. The duration of Suite No.1 in A Major - Transcr. for two guitars A. Lagoya: 1. Andante is about 3 minutes long, at 3:21. Based on our data, "Suite No.1 in A Major - Transcr. for two guitars A. Lagoya: 1. Andante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 18 out of 20 in Baroque at Bathtime by Various Artists. Suite No.1 in A Major - Transcr. for two guitars A. Lagoya: 1. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite No.1 in A Major - Transcr. for two guitars A. Lagoya: 1. Andante by Giovanni Battista Marella, Alexandre Lagoya, Ida Presti is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bagatelles, Op.13: 9. L'abeille | Franz Anton Schubert, Jian Wang, Göran Söllscher | D Minor | 1 | 7A | 105 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM | ||
Concerto grosso Op. 3 No. 6 in D major / D minor: Concerto grosso Op. 3 No. 6 in D major / D minor: I | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Major | 2 | 3B | 109 BPM | ||
Mandolin Concerto in C Major, RV 425 (Arr. P. Romero for Guitar, Strings and Continuo): I. Allegro | Antonio Vivaldi, Celedonio Romero, San Antonio Symphony Orchestra, Victor Alessandro | C Major | 2 | 8B | 90 BPM | ||
Suite, Castellana: II "Arada" | Federico Moreno Torroba, Alexander-Sergei Ramírez | D Minor | 0 | 7A | 94 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giuseppe Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 141 BPM | ||
25 Etudes, Op. 38: No. 11 in G Major | Napoléon Coste, Jeffrey McFadden | G Major | 1 | 9B | 101 BPM | ||
Fantasía para un gentilhombre for Guitar and Small Orchestra: 4. Canario (Allegro ma non troppo) | Joaquín Rodrigo, Pepe Romero, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 83 BPM |
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