Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra made "Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 12e, Dance of the Marchionesses" available on January 1, 1974. With Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 12e, Dance of the Marchionesses being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 61 in the song's album "Tchaikovsky: The Sleeping Beauty, Op. 66". In this album, this song's track order is #28. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 12e, Dance of the Marchionesses's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 12e, Dance of the Marchionesses by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Coppelia: Act I - Scene | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 84 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 2nd Movement - Andante moderato: 3 bars before Wieder ins Tempo zurückgehen. Tempo I | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E♭ Major | 0 | 5B | 76 BPM | ||
Capriccio Italiano, Op. 45 | London Symphony Orchestra, Philip Simms (Conductor) | A Major | 2 | 11B | 67 BPM | ||
Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 2 | 11A | 150 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": V. R.P.A. (Richard Penrose Arnold). Moderato | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | C Minor | 1 | 5A | 79 BPM | ||
Triumphal Symphony in E Major, Op. 6: II. Largo maestoso | Bedřich Smetana, Berlin Radio Symphony Orchestra, Darrell Ang | G Major | 1 | 9B | 115 BPM | ||
Prokofiev: Cinderella, Op. 87, Act 2: Dance of the Four Companions of the Prince | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 1 | 8B | 126 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 18, Entr'acte. Andante | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Minor | 3 | 9A | 138 BPM | ||
1812 Overture - Finale (V for Vendetta) | London Symphony Orchestra, George Richter | E♭ Major | 5 | 5B | 158 BPM | ||
Sibelius: Symphony No. 7 in C Major, Op. 105: III. Allegro molto moderato | Jean Sibelius, Royal Philharmonic Orchestra, Sir Thomas Beecham | C Major | 2 | 8B | 75 BPM |
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