"Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 18, Entr'acte. Andante" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra was released on January 1, 1974. Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 18, Entr'acte. Andante is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. There are a total of 61 in the song's album "Tchaikovsky: The Sleeping Beauty, Op. 66". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 18, Entr'acte. Andante's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 18, Entr'acte. Andante by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
La Bayadere, Act III: 46. "Variation - 3rd Soloist Shade" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 170 BPM | ||
Violin Concerto N°1 in D, Op. 6: III. Rondo (Allegro spirituoso) | The London Symphony Orchestra - Gordan Nikolitch (violin) | A Major | 1 | 11B | 103 BPM | ||
Pictures at an Exhibition: Tuileries | Modest Mussorgsky, George Szell, Cleveland Orchestra | D♭ Major | 0 | 3B | 79 BPM | ||
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 14, Juliet's Variation | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 0 | 7B | 68 BPM | ||
I. Allegro ma non troppo (excerpt) from Violin Concerto in D Major, Op. 61 - Instrumental | Ludwig van Beethoven, Sir Georg Solti, London Symphony Orchestra | A Major | 0 | 11B | 70 BPM | ||
Sylvia: Act I: Le berger (Pastorale) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 72 BPM | ||
Souvenir D'un Lieu Cher, Op. 42: III. Melodie | Slovak Philharmonic, Slovak Radio Symphony Orchestra, Mariko Honda, Pyotr Ilyich Tchaikovsky | E♭ Major | 1 | 5B | 87 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): I. Marche des contrebandiers | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 99 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 30a, Finale | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E♭ Minor | 3 | 2A | 180 BPM |
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