Variations on an Original Theme, Op.36 "Enigma": Variation 7. Troyte (Presto) - Edward Elgar, Chicago Symphony Orchestra, Sir Georg Solti Information

Acousticness: 78%
Danceability: 45%
Energy: 44%
Instrumentalness: 83%
Liveness: 15%
Loudness: 73%
Speechiness: 4%
Valence: 45%
Popularity: 2%
Loudness: -15.924 dB

Summary

Edward Elgar, Chicago Symphony Orchestra, Sir Georg Solti made "Variations on an Original Theme, Op.36 "Enigma": Variation 7. Troyte (Presto)" available on January 1, 1977. With Variations on an Original Theme, Op.36 "Enigma": Variation 7. Troyte (Presto) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 13 out of 21 in Elgar: Enigma Variations; Pomp & Circumstance Marches; Cockaigne Overture by Edward Elgar, Chicago Symphony Orchestra, London Philharmonic Orchestra, Sir Georg Solti. Variations on an Original Theme, Op.36 "Enigma": Variation 7. Troyte (Presto) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Variations on an Original Theme, Op.36 "Enigma": Variation 7. Troyte (Presto) BPM

The tempo marking of Variations on an Original Theme, Op.36 "Enigma": Variation 7. Troyte (Presto) by Edward Elgar, Chicago Symphony Orchestra, Sir Georg Solti is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Variations on an Original Theme, Op.36 "Enigma": Variation 7. Troyte (Presto) Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert]	Franz Liszt, Oxana Yablonskaya	D Major	0	10B	66 BPM
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major	Johannes Brahms, Idil Biret	A♭ Minor	3	1A	111 BPM
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen	Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos	A♭ Major	0	4B	71 BPM
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes	Alexander Borodin, Anima Eterna, Jos Van Immerseel	A Major	0	11B	87 BPM
Capriol Suite: 2. Pavane	Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner	B♭ Major	0	6B	160 BPM
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	A♭ Major	0	4B	94 BPM
Jeux d'enfants, Op. 22 WD 56: 3. La poupée	Georges Bizet, Katia Labèque, Marielle Labèque	B Major	0	1B	64 BPM
Salut d'Amour, Op. 12	Donald Sosin, Edward Elgar, Nora Shulman, Judy Loman	F Major	1	7B	79 BPM
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1	Felix Mendelssohn, Péter Nagy	E♭ Major	0	5B	68 BPM
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem	Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths	G Minor	1	6A	105 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.9682333469390869

End: 0.9730105400085449