"Symphony No. 5 in E-Flat Major, Op. 82 (Remastered): II. Andante mosso, quasi allegretto" by Jean Sibelius, Leonard Bernstein, New York Philharmonic was released on 1962. Since Symphony No. 5 in E-Flat Major, Op. 82 (Remastered): II. Andante mosso, quasi allegretto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 42 in Bernstein Sibelius - The Symphonies (Remastered Edition) by Leonard Bernstein. Symphony No. 5 in E-Flat Major, Op. 82 (Remastered): II. Andante mosso, quasi allegretto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 5 in E-Flat Major, Op. 82 (Remastered): II. Andante mosso, quasi allegretto by Jean Sibelius, Leonard Bernstein, New York Philharmonic is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
Dolly, Op. 56: 1. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 63 BPM | ||
Gnossiennes: n° 4 | Erik Satie, Alexandre Tharaud | A Minor | 0 | 8A | 85 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Henning Kraggerud, Bournemouth Symphony Orchestra, Bjarte Engeset | D Major | 2 | 10B | 119 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 2 Den ensamna furan (The Lonely Fir) | Jean Sibelius, Håvard Gimse | D Minor | 0 | 7A | 103 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM |
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