"I puritani, Act III: Son salvo, alfin son salvo... Corre a valle, corre a monte - Live in Rome, 1968" by Vincenzo Bellini, Luciano Pavarotti, RAI Symphony Orchestra Rome, Riccardo Muti was released on 2010. With this song being about 5 minutes long, at 5:18, "I puritani, Act III: Son salvo, alfin son salvo... Corre a valle, corre a monte - Live in Rome, 1968" by Vincenzo Bellini, Luciano Pavarotti, RAI Symphony Orchestra Rome, Riccardo Muti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Luciano Pavarotti's "Luciano Pavarotti: The Ultimate Collection Live – Over 100 Tracks Live in Concert and at the Opera" album is number 102 out of 115. On top of that, United States appears to be the country where this track was created. Based on our statistics, I puritani, Act III: Son salvo, alfin son salvo... Corre a valle, corre a monte - Live in Rome, 1968's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I puritani, Act III: Son salvo, alfin son salvo... Corre a valle, corre a monte - Live in Rome, 1968 by Vincenzo Bellini, Luciano Pavarotti, RAI Symphony Orchestra Rome, Riccardo Muti to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Puccini: La bohème, Act 2: "Quando me'n vo soletta" (Musetta/Marcellop/Alcindoro/Mimì/Rodolfo/Schaunard/Colline) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Carlo Forti, Carlo Badioli, Franco Ricciardi, Antonino Votto, Eraldo Coda, Anna Moffo, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 132 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Sono andati? (Mimì/Rodolfo) - 1997 Remastered Version | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | A♭ Major | 0 | 4B | 173 BPM | ||
Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | ||
Mefistofele / Act III: "L'altra notte in fondo al mare" | Arrigo Boito, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 0 | 8B | 78 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Bellini: Il Pirata, Act 1: "Perché cotanta io prendo" (Imogene, Gualtiero) [Live] | Vincenzo Bellini, Maria Callas, Pier Miranda Ferraro, Nicola Rescigno, Orchestra of the American Opera Society | A Major | 3 | 11B | 91 BPM | ||
Turandot | Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 0 | 2B | 84 BPM | ||
Les Contes d'Hoffmann / Act 2: O Dieu! De quelle ivresse | Jacques Offenbach, Plácido Domingo, Orchestre de la Suisse Romande, Richard Bonynge | C Major | 2 | 8B | 77 BPM |
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