"Chanson Perpetuelle, Op. 37" by Ernest Chausson, Janet Baker, Melos Ensemble was released on January 3, 1967. Since Chanson Perpetuelle, Op. 37 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 11 in French Songs by Ravel, Chausson & Delage by Janet Baker, Melos Ensemble, Bernard Keeffe. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Chanson Perpetuelle, Op. 37 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chanson Perpetuelle, Op. 37 by Ernest Chausson, Janet Baker, Melos Ensemble is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chausson: 7 Mélodies, Op. 2: II. Le charme | Ernest Chausson, Jessye Norman, Michel Dalberto | G Major | 0 | 9B | 88 BPM | ||
Piano Trio in A minor, M. 67: 4. Final (Animé) | Maurice Ravel, Beaux Arts Trio | F♯ Major | 1 | 2B | 91 BPM | ||
4 Pieces, Op. 51: 4. Danse languide | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 74 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
Three Movements from Petrushka: I. Russian Dance | Igor Stravinsky, Khatia Buniatishvili | G Major | 3 | 9B | 125 BPM | ||
Berlioz: Les Nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b | Hector Berlioz, Théophile Gautier, Véronique Gens/Louis Langree/Orchestre de l'Opéra National de Lyon, Louis Langrée, Orchestre De L'Opéra National De Lyon | A Major | 1 | 11B | 134 BPM | ||
Concerto for Violin, Piano and String Quartet in D Major, Op. 21: II. Sicilienne | Ernest Chausson, Jorge Bolet, Juilliard String Quartet | A Minor | 2 | 8A | 89 BPM | ||
Don Quixote, Op. 35, TrV 184: Finale: Don Quixotes Tod | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Major | 0 | 10B | 83 BPM | ||
Violin Concerto No. 1 In D Major, Op. 19: 2. Scherzo. Vivacissimo | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | A Minor | 2 | 8A | 145 BPM |
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