Wolfgang Amadeus Mozart, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser's 'Violin Concerto No. 5 in A Major, K. 219, "Turkish": I. Allegro aperto' came out on June 20, 1990. Violin Concerto No. 5 in A Major, K. 219, "Turkish": I. Allegro aperto appears to be safe for all ages as it is not explicit. The track order of this song in Wolfgang Amadeus Mozart, Stephen Gunzenhauser, Christoph Eberle's "Mozart: Piano Concerto No. 21 / Violin Concerto No. 5" album is number 1 out of 6. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Violin Concerto No. 5 in A Major, K. 219, "Turkish": I. Allegro aperto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Concerto No. 5 in A Major, K. 219, "Turkish": I. Allegro aperto by Wolfgang Amadeus Mozart, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Duport : Cello Concerto No.1 in G major : Romance | Jean-Louis Duport, Frédéric Lodéon, Jean-Pierre Wallez, Orchestre de chambre de Paris | C Major | 1 | 8B | 95 BPM | ||
Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) | Franz Liszt, Joseph Banowetz | A♭ Major | 0 | 4B | 149 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: I. Allegro | Wolfgang Amadeus Mozart, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | G Major | 1 | 9B | 119 BPM | ||
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 138 BPM | ||
Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo: Molto allegro | Ludwig van Beethoven, Stefan Vladar, Capella Istropolitana, Barry Wordsworth | B♭ Major | 1 | 6B | 175 BPM | ||
Symphony No. 40 in G Minor, K. 550: IV. Finale. Allegro assai | Wolfgang Amadeus Mozart, Deutsche Kammerphilharmonie Bremen, Tarmo Peltokoski | G Minor | 2 | 6A | 137 BPM | ||
Bach, JS: Violin Concerto No. 2 in E Major, BWV 1042: III. Allegro assai | Johann Sebastian Bach, Itzhak Perlman, Daniel Barenboim, English Chamber Orchestra | A Minor | 3 | 8A | 109 BPM | ||
Schubert: Symphony No. 1 in D Major, D. 82: II. Andante | Franz Schubert, Wiener Philharmoniker, Riccardo Muti | G Major | 0 | 9B | 111 BPM | ||
Keyboard Sonatina In G Major, Op. 36, No. 2: III. Allegro | Muzio Clementi, Balazs Szokolay | G Major | 1 | 9B | 143 BPM |
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