"Cielo e mar (La Gioconda)" by Richard Tucker, Metropolitan Opera Orchestra was released on August 10, 2006. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Richard Tucker's "Lebendige Vergangenheit - Richard Tucker" album is number 11 out of 18. In terms of popularity, Cielo e mar (La Gioconda) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cielo e mar (La Gioconda) by Richard Tucker, Metropolitan Opera Orchestra to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Una nave da guerra | Giacomo Puccini, Erich Leinsdorf, Rosalind Elias, Arturo La Porta, Anna Di Stasio, Piero de Palma, Robert Kerns, Leontyne Price, Richard Tucker, Philip Maero | A♭ Major | 4 | 4B | 88 BPM | ||
L'elisir d'amore / Act II: "Ei corregge ogni difetto" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Enzo Dara, Leo Nucci, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | B♭ Major | 2 | 6B | 80 BPM | ||
Manon, Act III: Je marche sur tous les chemins | Ava Dodd, Jules Massenet, RTÉ Concert Orchestra, Andrew Synnott | G Major | 1 | 9B | 84 BPM | ||
Doña Francisquita, Act I: Canción de la Juventud (Cardona, Fernando, Coro) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Santiago Jerico, Alfredo Kraus, Coro Polifonico de la Universidad de la Laguna Rondalla de Tenerife | E Major | 2 | 12B | 143 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Sulla tomba che rinserra il tradito genitore" (Edgardo, Lucia) | Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
The Exodus Song | Ernest Gold, Richard Tucker, Skitch Henderson & His Orchestra | A Major | 3 | 11B | 86 BPM | ||
Verdi: La traviata, Act 3: "Ah! gran Dio! Morir sì giovine" (Violetta, Alfredo) | Giuseppe Verdi, Maria Callas, Francesco Albanese, Gabriele Santini, Orchestra Sinfonica della RAI | C Major | 3 | 8B | 115 BPM | ||
Die Fledermaus: Act II: Ein Souper uns heute winkt (Chorus) | Johann Strauss II, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich Haider | E Major | 2 | 12B | 103 BPM | ||
Madama Butterfly / Act I: ... E soffitto e pareti | Giacomo Puccini, José Carreras, Anthony Laciura, Philharmonia Orchestra, Giuseppe Sinopoli | B Major | 1 | 1B | 135 BPM | ||
Meco verrai su quella (From "Rosalinda") - Voice | Francesco Maria Veracini, Richard Tucker | F Major | 4 | 7B | 93 BPM |
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