- BPM
- 83
- Key
- F♯ Minor
- Camelot
- 11A
Quartet for Violin, Cello, Bassoon and Basso continuo in G Minor: I. Adagio - Antonin Reichenauer, Collegium Marianum, Sergio Azzolini, Lenka Torgersen Information
- Acousticness
- 97%
- Danceability
- 10%
- Energy
- 3%
- Instrumentalness
- 9%
- Liveness
- 11%
- Loudness
- 62%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 3%
- Loudness
- -22.661 dB
Summary
"Quartet for Violin, Cello, Bassoon and Basso continuo in G Minor: I. Adagio" by Antonin Reichenauer, Collegium Marianum, Sergio Azzolini, Lenka Torgersen was released on November 9, 2012. The duration of Quartet for Violin, Cello, Bassoon and Basso continuo in G Minor: I. Adagio is about 3 minutes long, at 3:04. Based on our data, "Quartet for Violin, Cello, Bassoon and Basso continuo in G Minor: I. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Sergio Azzolini, Lenka Torgersen, Helena Zemanova, Collegium Marianum's "Musici da camera. Music from 18th Century Prague" album is number 1 out of 38. Quartet for Violin, Cello, Bassoon and Basso continuo in G Minor: I. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Quartet for Violin, Cello, Bassoon and Basso continuo in G Minor: I. Adagio BPM
We consider the tempo marking of Quartet for Violin, Cello, Bassoon and Basso continuo in G Minor: I. Adagio by Antonin Reichenauer, Collegium Marianum, Sergio Azzolini, Lenka Torgersen to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Quartet for Violin, Cello, Bassoon and Basso continuo in G Minor: I. Adagio Key
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Violin Sonata No. 6 in A Minor: III. Allegro - Adagio - Allegro | Francesco Maria Veracini, Federico Guglielmo, Arte dell'Arco | F♯ Major | 3 | 2B | 70 BPM | |
 | Sinfonia No. 9 in G Minor, RosS 533.9: VI. Allegretto (Tarantella) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 3 | 11A | 129 BPM | |
 | Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | |
 | Overture-Suite in D Major, TWV 55:D1: IV. Air 3: Presto | Georg Philipp Telemann, The English Concert, Trevor Pinnock | D♭ Major | 3 | 3B | 118 BPM | |
 | Sinfonia a quattro No. 1 in B-Flat Major, SF C781: II. Presto | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 3 | 2B | 76 BPM | |
| Sinfonia a quattro No. 1 in B-Flat Major, SF C781: III. Gavotta | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 5 | 2B | 142 BPM | |
 | Concerto VIII in C Minor from 24 Concerti di Napoli for Recorder, 2 Violins and Basso Continuo: I. Vivace | Francesco Mancini, Barbara Heindlmeier, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | |
 | Ouverture-Suite in C Major, TWV 55:C6: IV. Bourrée en trompette | Georg Philipp Telemann, Karlsson Barock, Goran Karlsson | B Major | 7 | 1B | 108 BPM | |
 | Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 6, La noble fierté | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | |
 | Sei Introduttioni teatrali, Op. 4, No. 3: II. Andante, sempre Piano | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.898667573928833
End: 0.9026007652282715