Madama Butterfly / Act 2: "C'è. Entrate"
Giacomo Puccini, Angelo Mercuriali, Enzo Sordello, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin
Puccini: Madama Butterfly
3:50 January 1, 1958
BPM
94
Key
B♭ Minor
Camelot
3A

Embed

Share Link

Madama Butterfly / Act 2: "C'è. Entrate" - Giacomo Puccini, Angelo Mercuriali, Enzo Sordello, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin Information

Acousticness
78%
Danceability
22%
Energy
7%
Instrumentalness
4%
Liveness
9%
Loudness
61%
Speechiness
4%
Valence
4%
Popularity
Loudness
-23.336 dB

Summary

"Madama Butterfly / Act 2: "C'è. Entrate"" by Giacomo Puccini, Angelo Mercuriali, Enzo Sordello, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin was released on January 1, 1958. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 42 in the song's album "Puccini: Madama Butterfly". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Madama Butterfly / Act 2: "C'è. Entrate" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Madama Butterfly / Act 2: "C'è. Entrate" BPM

With Madama Butterfly / Act 2: "C'è. Entrate" by Giacomo Puccini, Angelo Mercuriali, Enzo Sordello, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Madama Butterfly / Act 2: "C'è. Entrate" Key

This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Madame Butterfly - Grosser Querschnitt: Mädchen, in deinen Augen liegt ein Zauber by Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper BerlinMadame Butterfly - Grosser Querschnitt: Mädchen, in deinen Augen liegt ein ZauberAlfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper BerlinA♭ Minor11A100 BPM
La Sonnambula / Act 2: Ah! non credea mirarti si presto estinto, o fiore by Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Orchestra La Scintilla, Alessandro De MarchiLa Sonnambula / Act 2: Ah! non credea mirarti si presto estinto, o fioreVincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Orchestra La Scintilla, Alessandro De MarchiC Major08B176 BPM
Lakmé / Act 2: Lakmé / Act 2: "Où va la jeune Indoue" (Bell song)Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius MeisterD Minor17A168 BPM
Vasco da Gama: La Marguerite a fermé sa corolle...Ouvre ton coeur by Georges Bizet, Dame Joan Sutherland, L'Orchestre de la Suisse Romande, Richard BonyngeVasco da Gama: La Marguerite a fermé sa corolle...Ouvre ton coeurGeorges Bizet, Dame Joan Sutherland, L'Orchestre de la Suisse Romande, Richard BonyngeE Major212B130 BPM
Rusalka, Op. 114, B. 203, Act I: Lieblicher Mond (Song to the Moon) by Antonín Dvořák, Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias ForemnyRusalka, Op. 114, B. 203, Act I: Lieblicher Mond (Song to the Moon)Antonín Dvořák, Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias ForemnyF♯ Major12B63 BPM
West Side Story: XIII. Somewhere by Leonard Bernstein, Marilyn Horne, OrchestraWest Side Story: XIII. SomewhereLeonard Bernstein, Marilyn Horne, OrchestraE Major112B88 BPM
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) by Jacques Offenbach, Staatskapelle Dresden, Silvio VarvisoLes Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle)Jacques Offenbach, Staatskapelle Dresden, Silvio VarvisoD Major010B121 BPM
Gluck: Orphée et Eurydice, Act 3: Gluck: Orphée et Eurydice, Act 3: "J'ai perdu mon Eurydice" (Orphée)Christoph Willibald Gluck, Susan Graham, Harry Bicket, Orchestra of the Age of EnlightenmentE Minor19A79 BPM
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale by Camille Saint-Saëns, Orchestre de Paris, Daniel BarenboimSamson et Dalila, Op. 47, R. 288 / Act 3: BacchanaleCamille Saint-Saëns, Orchestre de Paris, Daniel BarenboimB Major31B94 BPM
4 Lieder, Op. 27: 4. Morgen! by Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur4 Lieder, Op. 27: 4. Morgen!Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt MasurG Major09B81 BPM
ISRC
GBF075840219
Label
L-M Records/RCA Records

Section: 0.7128376960754395

End: 0.7162282466888428