"Palestrina: Missa Assumpta est Maria - 11. Sanctus" by Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars was released on March 1, 2005. The duration of Palestrina: Missa Assumpta est Maria - 11. Sanctus is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Palestrina: Missa Assumpta est Maria - 11. Sanctus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 66 in the song's album "The Tallis Scholars Sing Palestrina". In this album, this song's track order is #14. Palestrina: Missa Assumpta est Maria - 11. Sanctus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Palestrina: Missa Assumpta est Maria - 11. Sanctus by Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tallis: Lamentations of Jeremiah 1 - 9. Jerusalem | Thomas Tallis, The Tallis Scholars, Peter Phillips | A♭ Minor | 1 | 1A | 95 BPM | ||
Tallis: O Sacrum Convivium | The Tallis Scholars, Peter Phillips | B♭ Minor | 1 | 3A | 76 BPM | ||
Vau. Et egressus est a filia Sion: I. Vau. Et egressus est | Manuel Cardoso, El León de Oro, Peter Phillips | G Minor | 2 | 6A | 125 BPM | ||
Have You e’er seen the Morning Sun? (Arr. for Choir) | Henry Lawes, Sjaella | A Major | 1 | 11B | 112 BPM | ||
Soubz ce tumbel | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | C Major | 0 | 8B | 116 BPM | ||
Palestrina: Missa Assumpta Est Maria - 4e. Hosanna 2 | The Tallis Scholars, Peter Phillips | B♭ Major | 2 | 6B | 72 BPM | ||
D'ung aultre amer / Lhome arme | Philippe Basiron, Capilla Flamenca | E Minor | 0 | 9A | 60 BPM | ||
Byrd: Mass for Four Voices - 10. Benedictus | William Byrd, Peter Phillips, The Tallis Scholars | F Minor | 1 | 4A | 82 BPM | ||
Palestrina: Missa Sicut lilium - 04. Gloria | Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars | F♯ Minor | 1 | 11A | 82 BPM | ||
Byrd: Ne Irascaris, Domine - 2. Civitas Sancti Tui | William Byrd, Peter Phillips, The Tallis Scholars | A♭ Major | 1 | 4B | 141 BPM |
Section: 0.5374593734741211
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