"Spaniol Kochesberger" by Hans Kotter, Atrium Musicae de Madrid, Gregorio Paniagua was released on January 28, 1986. With this song being about 5 minutes long, at 4:42, "Spaniol Kochesberger" by Hans Kotter, Atrium Musicae de Madrid, Gregorio Paniagua is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Atrium Musicae de Madrid, Gregorio Paniagua's "Madrid Atrium Musicae: Three Centuries of La Spagna" album is number 6 out of 32. Spaniol Kochesberger is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Spaniol Kochesberger by Hans Kotter, Atrium Musicae de Madrid, Gregorio Paniagua to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Duo Et misericordia eius | The Royal Wind Music, Capella Sancta María, Alfred Fernández | A♭ Minor | 0 | 1A | 126 BPM | ||
Te deum, LWV 55: VIII. Te ergo quaesumus | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Bransle Loraine, TMA18 | Michael Praetorius, Capella De La Torre, Katharina Bauml | C Major | 1 | 8B | 93 BPM | ||
Lute Sonata in C Minor, Op. 1, No. 1: III. A tempo giusto | Adam Falckenhagen, Andrew Maginley | D Minor | 1 | 7A | 57 BPM | ||
Corrente detta L'Auellina | Andrea Falconieri, La Ritirata, Josetxu Obregon | C Major | 2 | 8B | 79 BPM | ||
Suite No. 1 in G Minor: III. Courante | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | B Major | 1 | 1B | 104 BPM | ||
Sinfonia | Biagio Marini, Odhecaton, Paolo da Col | A Minor | 1 | 8A | 115 BPM | ||
O crux benedicta | Mignarda | A♭ Minor | 0 | 1A | 90 BPM | ||
Au joly boys | Claudin de Sermisy, Into the Winds | A♭ Minor | 0 | 1A | 73 BPM | ||
Piva for Lute & Bass Viol | Joan Ambrosio Dalza, Geneva Baroque Duo | D♭ Major | 2 | 3B | 135 BPM |
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