"Herodiade, Act IV: Ballet: Les Gauloises" by Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois was released on November 5, 2013. With Herodiade, Act IV: Ballet: Les Gauloises being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jules Massenet, Orquesta Sinfónica de Barcelona, Patrick Gallois's "Massenet: Ballet Music" album is number 13 out of 32. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Herodiade, Act IV: Ballet: Les Gauloises's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Herodiade, Act IV: Ballet: Les Gauloises by Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les passions d'hiver | Rihards Dubra, Trio NYX | C Minor | 1 | 5A | 122 BPM | ||
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
Cancionero de Pedrell: No. 2, La mal maridada | Roberto Gerhard, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Núria Rial, Francesc Prat | D♭ Major | 3 | 3B | 119 BPM | ||
The Prague Carnival. Introduction and Polonaise | Bedřich Smetana, Prague Symphony Orchestra, Tomáš Brauner | A Major | 3 | 11B | 69 BPM | ||
世界名曲:春之聲 | 蔡榮吉, 李淑雲, 吳爾笠 | B♭ Major | 2 | 6B | 103 BPM | ||
12 Danzas espanolas (Spanish Dances), Op. 37 (arr. R. Ferrer): No. 6. Rondalla aragonesa (Jota) | Rafael Ferrer, Enrique Granados, Barcelona Symphony and Catalonia National Orchestra, Salvador Brotons | D Major | 0 | 10B | 115 BPM | ||
Concierto de Aranjuez: II. Adagio | Orquesta Sinfónica de Barcelona, Rafael Ferrer, Manuel Cubedo | B Minor | 3 | 10A | 80 BPM | ||
Die Reise um die Erde in 80 Tagen (Version Without Narration): IIb. Allegro con fuoco | Franz von Suppé, Janacek Philharmonic Orchestra, Dario Salvi | D♭ Minor | 4 | 12A | 147 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIV. Tarantella (Allegro moderato) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Suite No.2 from "Namouna": No. 5, Presto | Édouard Lalo, Estonian National Symphony Orchestra, Neeme Järvi | G Minor | 2 | 6A | 179 BPM |
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