Roberto Gerhard, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Núria Rial, Francesc Prat made "Cancionero de Pedrell: No. 2, La mal maridada" available on October 20, 2023. The duration of Cancionero de Pedrell: No. 2, La mal maridada is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Cancionero de Pedrell: No. 2, La mal maridada's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Robert Gerhard: Orchestral Folksongs". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Spain. In terms of popularity, Cancionero de Pedrell: No. 2, La mal maridada is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Cancionero de Pedrell: No. 2, La mal maridada by Roberto Gerhard, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Núria Rial, Francesc Prat having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIV. Tarantella (Allegro moderato) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Ouverture, Pt. 1 | Hubert Evin, Guillaume Barli, Robin Aubertin, Francois Seillier | G Major | 3 | 9B | 101 BPM | ||
The Plague: No. 7, Les enterrements | Roberto Gerhard, Michaël Lonsdale, BBC Symphonie Chorus, Joven Orquesta Nacional De España, Edmon Colomer | G Minor | 2 | 6A | 89 BPM | ||
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
Suite populaire espagnole (Arr. for Cello & Piano): III. Canción | Manuel de Falla, Duo Arnicans | G Major | 1 | 9B | 89 BPM | ||
Oration, Concerto elegiaco, H. 180: I. Poco lento – Lento e ritmico | Frank Bridge, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | C Major | 0 | 8B | 81 BPM | ||
Summer | Carrie Baynes | D Minor | 1 | 7A | 93 BPM | ||
Schwanenlied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | G Minor | 1 | 6A | 132 BPM | ||
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
Shir | Paolo Spoladore | E Major | 2 | 12B | 129 BPM |
Section: 0.6032884120941162
End: 0.6068978309631348