Sean Barrett made "Life and Works: London, Brimingham - and Brighton Belles" available on April 16, 2004. With this song being about 5 minutes long, at 5:02, "Life and Works: London, Brimingham - and Brighton Belles" by Sean Barrett is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Sean Barrett's "Life and Works: Dvorak (Siepmann)" album is number 19 out of 61. Life and Works: London, Brimingham - and Brighton Belles is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Life and Works: London, Brimingham - and Brighton Belles by Sean Barrett to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vesperae solennes de confessore, K. 339: V. Laudate Dominum | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 82 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Renée Fleming, Hartmut Höll | E♭ Major | 0 | 5B | 92 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM | ||
Chapter 120 - Enemies of Mercia | MJ Porter, Sean Barrett | A♭ Major | 2 | 4B | 172 BPM | ||
Rhapsody in Blue - excerpt | London Symphony Orchestra, André Previn | E Major | 3 | 12B | 79 BPM | ||
Handel: Coronation Anthem No. 1, "Zadok the Priest", HWV 258 | George Frideric Handel, John Eliot Gardiner, Monteverdi Orchestra | D Major | 0 | 10B | 79 BPM | ||
Chapter 122 - Enemies of Mercia | MJ Porter, Sean Barrett | D♭ Major | 3 | 3B | 114 BPM | ||
Jocelyn, Suite No. 2: Berceuse | Benjamin Godard, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 0 | 7B | 92 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM |
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