Georges Delerue's 'Charlie et Léna - From "Tirez sur le pianiste"' came out on July 15, 2013. With Charlie et Léna - From "Tirez sur le pianiste" being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Georges Delerue's "Jules et Jim (Bande originale du film de François Truffaut)" album is number 6 out of 20. On top of that, France appears to be the country where this track was created. Charlie et Léna - From "Tirez sur le pianiste" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Charlie et Léna - From "Tirez sur le pianiste" by Georges Delerue to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oblivion | Astor Piazzolla, Anne Gastinel, Sandrine Piau, Violoncelles de l’Orchestre National de France | F Minor | 2 | 4A | 90 BPM | ||
Souvenirs des collines | Vladimir Cosma, Orchestre Philarmonique de Paris | F Major | 2 | 7B | 131 BPM | ||
In the Mood for Love | Shigeru Umebayashi, Aventurine | F Major | 2 | 7B | 133 BPM | ||
Le restaurant | Christophe Julien | B♭ Major | 1 | 6B | 120 BPM | ||
Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | F Major | 4 | 7B | 89 BPM | ||
VARIATION AUTOUR D'UN PRÉLUDE, pt. 2 - Anatomie d'une chute | Benoît Daniel | E Minor | 0 | 9A | 132 BPM | ||
Les pêcheurs de perles, WD 13 / Act 1: "Je crois entendre encore" | Georges Bizet, Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | D♭ Major | 2 | 3B | 85 BPM | ||
Symphony No. 5 in C-Sharp Minor: IV. Adagietto (Sehr langsam) | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 91 BPM | ||
Balzac Et Gymnastique | Jean Constantin | F Minor | 2 | 4A | 93 BPM | ||
Schubert: 6 Moments musicaux, Op. 94, D. 780: No. 3 in F Minor | Franz Schubert, David Fray | F Minor | 0 | 4A | 79 BPM |
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