- BPM
- 167
- Key
- C Minor
- Camelot
- 5A
Musical Offering, BWV 1079: Sonata sopra il Soggetto Reale: Allegro - Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana Information
- Acousticness
- 88%
- Danceability
- 35%
- Energy
- 18%
- Instrumentalness
- 0%
- Liveness
- 17%
- Loudness
- 68%
- Speechiness
- 5%
- Valence
- 65%
- Popularity
- 5%
- Loudness
- -19.02 dB
Summary
Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana made "Musical Offering, BWV 1079: Sonata sopra il Soggetto Reale: Allegro" available on April 15, 1998. Musical Offering, BWV 1079: Sonata sopra il Soggetto Reale: Allegro is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The song is number 8 out of 19 in Bach, J.S.: Musical Offering, Bwv 1079 by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The popularity of Musical Offering, BWV 1079: Sonata sopra il Soggetto Reale: Allegro is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Musical Offering, BWV 1079: Sonata sopra il Soggetto Reale: Allegro BPM
The tempo marking of Musical Offering, BWV 1079: Sonata sopra il Soggetto Reale: Allegro by Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
Musical Offering, BWV 1079: Sonata sopra il Soggetto Reale: Allegro Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | |
 | 6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | |
 | Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : I. Allegro | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Christine Pichlmeier, Lucas Barr, Antonio Vivaldi | B Minor | 3 | 10A | 118 BPM | |
 | 3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | |
 | Violin Sonata in B-Flat Major, Op. 5 No. 2: III. Vivace | Arcangelo Corelli, Lina Tur Bonet, Musica Alchemica | A♭ Major | 3 | 4B | 83 BPM | |
 | Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | |
 | Purcell: Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Alison Balsom, Balsom Ensemble | D♭ Major | 3 | 3B | 101 BPM | |
 | Nocturne No.6 In G Minor, Op.15 No.3 | Frédéric Chopin, Maurizio Pollini | D Minor | 0 | 7A | 105 BPM | |
 | Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM |
- ISRC
- HKI199629908
- Label
- L-M Records/RCA Records
Section: 0.7041091918945312
End: 0.7097048759460449