War Requiem, Op. 66: xiv. Dies Irae - Pie Iesu Domine - Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra Information

Acousticness: 93%
Danceability: 18%
Energy: 0%
Instrumentalness: 89%
Liveness: 7%
Loudness: 8%
Speechiness: 5%
Valence: 3%
Popularity: 5%
Loudness: -55.106 dB

Summary

"War Requiem, Op. 66: xiv. Dies Irae - Pie Iesu Domine" by Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra was released on May 8, 2012. With War Requiem, Op. 66: xiv. Dies Irae - Pie Iesu Domine being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 26 in Britten: War Requiem by Benjamin Britten, London Symphony Orchestra, Simon Keenlyside, Gianandrea Noseda, Ian Bostridge, London Symphony Chorus, Sabina Cvilak, Choir of Eltham College. War Requiem, Op. 66: xiv. Dies Irae - Pie Iesu Domine is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

War Requiem, Op. 66: xiv. Dies Irae - Pie Iesu Domine BPM

The tempo marking of War Requiem, Op. 66: xiv. Dies Irae - Pie Iesu Domine by Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

War Requiem, Op. 66: xiv. Dies Irae - Pie Iesu Domine Key

D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Ma mère l'oye, ballet, M. 62: 3. Les Entretiens de la Belle et de la Bête.Mouvement de Valse modéré	Maurice Ravel, Berliner Philharmoniker, Pierre Boulez	G Minor	0	6A	89 BPM
Elegy, Op. 58	Edward Elgar, English Northern Philharmonia, David Lloyd-Jones	F Minor	0	4A	84 BPM
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction	Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra	A Major	1	11B	103 BPM
Salome, Op. 54, TrV 215 / Scene 4: Salome's Dance of the Seven Veils	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	F Major	1	7B	67 BPM
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo	Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields	A Minor	2	8A	86 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
Peter Grimes, Op.33 / Prologue: "Peter Grimes!"	Benjamin Britten, David Kelly, Owen Brannigan, Sir Peter Pears, Orchestra of the Royal Opera House, Covent Garden	G Major	1	9B	104 BPM
Much Ado about Nothing Suite, Op. 11: II. The Maiden in the Bridal Room	Erich Wolfgang Korngold, Marc Albrecht, Orchestre Philharmonique De Strasbourg	D♭ Major	1	3B	118 BPM
Violin Concerto, Op. 15: II. Vivace – Animando – Largamente – Cadenza - Live	Benjamin Britten, Isabelle Faust, Symphonieorchester des Bayerischen Rundfunks, Jakub Hrůša, Boris Faust	A Minor	2	8A	164 BPM
Aequali No. 1, WAB 114	Anton Bruckner, Mark Templeton, Helen Vollam, Patrick Jackman, Nigel Short	C Minor	0	5A	69 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.9094667434692383

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