"La bohème: O, Mimi, tu più non torni" by Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra was released on 1969. The duration of La bohème: O, Mimi, tu più non torni is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. La bohème: O, Mimi, tu più non torni's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Puccini Without Words". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, La bohème: O, Mimi, tu più non torni's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La bohème: O, Mimi, tu più non torni by Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delius: 2 Aquarelles: No. 2, Gaily, But Not Quick (Arr. Fenby for String Orchestra) | Frederick Delius, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
10 Woodland Sketches, Op. 51: No. 1 To a Wild Rose (Orchestrated by Thomas Frost) | Edward MacDowell, Eugene Ormandy, Philadelphia Orchestra | A Major | 2 | 11B | 80 BPM | ||
Escales: Rome - Palerme | Jacques Ibert, Lamoureux Concerts Orchestra, Yutaka Sado | A♭ Major | 1 | 4B | 74 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | E Major | 2 | 12B | 91 BPM | ||
Grainger: Shepherd's Hey, BFMS 16 | Percy Grainger, Light Music Society Orchestra, Sir Vivian Dunn | E Major | 4 | 12B | 94 BPM | ||
La boheme: Act I: O soave fanciulla (Rodolfo, Mimi) | Giacomo Puccini, Stanislav Beňačka, Carmen Gonzales, Ladislav Hallon, Richard Novak, Luba Orgonasova, Fabio Previati, Boaz Senator, Jiri Sulzenko, Ivan Urbas, Jonathan Welch, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Will Humburg | A Major | 0 | 11B | 128 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: VI. Cinderella Goes to the Ball | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
Sylvia: Act I: Le berger (Pastorale) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 72 BPM | ||
On hearing the first Cuckoo in Spring | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 80 BPM |
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