The Rake's Progress: Act II Scene 3: Recitative - Arioso - Recitative: Awake? (Nick, Tom)
Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft
Stravinsky, I.: Rake's Progress (The) [Opera]
1:44 May 26, 2009
BPM
169
Key
C Major
Camelot
8B

Embed

Share Link

The Rake's Progress: Act II Scene 3: Recitative - Arioso - Recitative: Awake? (Nick, Tom) - Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft Information

Acousticness
99%
Danceability
12%
Energy
4%
Instrumentalness
86%
Liveness
9%
Loudness
52%
Speechiness
4%
Valence
3%
Popularity
Loudness
-28.719 dB

Summary

"The Rake's Progress: Act II Scene 3: Recitative - Arioso - Recitative: Awake? (Nick, Tom)" by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft was released on May 26, 2009. With The Rake's Progress: Act II Scene 3: Recitative - Arioso - Recitative: Awake? (Nick, Tom) being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 73 in the song's album "Stravinsky, I.: Rake's Progress (The) [Opera]". In this album, this song's track order is #44. Furthermore, we believe that the track originated from Hong Kong. The popularity of The Rake's Progress: Act II Scene 3: Recitative - Arioso - Recitative: Awake? (Nick, Tom) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Rake's Progress: Act II Scene 3: Recitative - Arioso - Recitative: Awake? (Nick, Tom) BPM

With The Rake's Progress: Act II Scene 3: Recitative - Arioso - Recitative: Awake? (Nick, Tom) by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

The Rake's Progress: Act II Scene 3: Recitative - Arioso - Recitative: Awake? (Nick, Tom) Key

This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Serenade for Strings in E, Op.22: 3. Scherzo (Vivace) by Antonín Dvořák, Wiener Philharmoniker, Myung-Whun ChungSerenade for Strings in E, Op.22: 3. Scherzo (Vivace)Antonín Dvořák, Wiener Philharmoniker, Myung-Whun ChungF Major27B128 BPM
Three Movements from Petrushka: I. Russian Dance by Igor Stravinsky, Khatia BuniatishviliThree Movements from Petrushka: I. Russian DanceIgor Stravinsky, Khatia BuniatishviliG Major39B125 BPM
Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring by Frederick Delius, Vernon Handley, London Philharmonic OrchestraDelius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in SpringFrederick Delius, Vernon Handley, London Philharmonic OrchestraA Minor28A130 BPM
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto by Johannes Brahms, Berliner Philharmoniker, Herbert von KarajanSymphony No.1 In C Minor, Op.68: 2. Andante sostenutoJohannes Brahms, Berliner Philharmoniker, Herbert von KarajanE Major112B85 BPM
Japanese Suite, Op. 33: II. Ceremonial Dance by Gustav Holst, Ulster Orchestra, Joann FallettaJapanese Suite, Op. 33: II. Ceremonial DanceGustav Holst, Ulster Orchestra, Joann FallettaD♭ Major13B108 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo by Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber OrchestraCello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppoCamille Saint-Saëns, Mischa Maisky, Orpheus Chamber OrchestraF Major27B131 BPM
Symphony No. 4 in G Major: IV. Sehr behaglich: Symphony No. 4 in G Major: IV. Sehr behaglich: "Wir genießen die himmlischen Freuden"Gustav Mahler, Juliane Banse, Cleveland Orchestra, Pierre BoulezE Major012B110 BPM
Music for Strings, Percussion and Celesta, Sz. 106: 1. Andante tranquillo by Béla Bartók, Chicago Symphony Orchestra, Sir Georg SoltiMusic for Strings, Percussion and Celesta, Sz. 106: 1. Andante tranquilloBéla Bartók, Chicago Symphony Orchestra, Sir Georg SoltiB♭ Minor03A85 BPM
Two Serenades, Op.69: 2. Lento assai, Op.69 No.2 - In G Minor by Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinTwo Serenades, Op.69: 2. Lento assai, Op.69 No.2 - In G MinorJean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinC Minor05A104 BPM
Pini di Roma, P. 141: I. I pini di Villa Borghese by Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann FallettaPini di Roma, P. 141: I. I pini di Villa BorgheseOttorino Respighi, Buffalo Philharmonic Orchestra, Joann FallettaD♭ Minor112A130 BPM
ISRC
HKI190908244
Label
L-M Records/RCA Records

Section: 0.8069283962249756

End: 0.8121542930603027