George Crumb, Ensemble 20/21's 'Kronos-Kryptos (Version for Percussion Quintet): III. Drummers of the Apocalypse' came out on March 1, 2024. The duration of Kronos-Kryptos (Version for Percussion Quintet): III. Drummers of the Apocalypse is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Kronos-Kryptos (Version for Percussion Quintet): III. Drummers of the Apocalypse's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 9 in Complete Crumb Edition, Vol. 21 by George Crumb, Gilbert Kalish, Timothy Eddy, Marcantonio Barone, Ensemble 20/21. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Kronos-Kryptos (Version for Percussion Quintet): III. Drummers of the Apocalypse's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Kronos-Kryptos (Version for Percussion Quintet): III. Drummers of the Apocalypse by George Crumb, Ensemble 20/21 is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A. Scotto: Emma at the park | Aurelio Scotto, ReWind Quintet | G Major | 1 | 9B | 87 BPM | ||
The Firebird Suite, K010, (1945 Version): V. Pas de deux: Firebird and Ivan Tsarevich | Igor Stravinsky, Philharmonia Orchestra, Santtu-Matias Rouvali | B♭ Major | 2 | 6B | 122 BPM | ||
Umi e (Toward the Sea): II - Moby Dick | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | D♭ Major | 0 | 3B | 74 BPM | ||
Cello Concerto No. 1, Op. 27: Ib. Scherzo-Notturno. Scherzo 1 | Colin Matthews, Alexander Baillie, London Sinfonietta, John Carewe | A♭ Major | 1 | 4B | 95 BPM | ||
In the Light of Air: III. Existence | Anna Thorvaldsdottir, International Contemporary Ensemble | C Major | 0 | 8B | 139 BPM | ||
Chamber Symphony No. 4: I. Introduction | Douglas Anderson, di.vi.sion Piano Trio | G Major | 1 | 9B | 98 BPM | ||
Příhody Lišky Bystroušky, JW I/9, Act I (Arr. for Voices, Choir & Chamber Orchestra by Fabrice Bollon): Andante | Leoš Janáček, The Lily's Project, Fabrice Bollon | D♭ Minor | 1 | 12A | 91 BPM | ||
Orbits for Clarinet Solo: I. First Movement | Charles Camilleri, David Campbell, Godfrey Mifsud, Susanne Stanzeleit, Julian Jacobson | D Minor | 0 | 7A | 75 BPM | ||
Concerto pour piano et orchestre: I. Vivace molto ritmico e preciso | György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Dimitri Vassilakis | B Minor | 0 | 10A | 134 BPM | ||
Concerto for String Orchestra: II. Andante | Graźnya Bacewicz, Sinfonia Of London, John Wilson | A Minor | 4 | 8A | 130 BPM |
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