"Cello Concerto No. 1, Op. 27: Ib. Scherzo-Notturno. Scherzo 1" by Colin Matthews, Alexander Baillie, London Sinfonietta, John Carewe was released on July 1, 2015. With Cello Concerto No. 1, Op. 27: Ib. Scherzo-Notturno. Scherzo 1 being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 42 in Colin Matthews: Orchestral Works by Colin Matthews, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Cello Concerto No. 1, Op. 27: Ib. Scherzo-Notturno. Scherzo 1 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Concerto No. 1, Op. 27: Ib. Scherzo-Notturno. Scherzo 1 by Colin Matthews, Alexander Baillie, London Sinfonietta, John Carewe is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Pastoral Dances, Op. 40: No. 2. Waltz | Arnold Rosner, London Philharmonic Orchestra, David Amos | A Minor | 0 | 8A | 178 BPM | ||
Suns Dance (1984-85): 7. Tutti (= 152) | Colin Matthews, London Sinfonietta, Oliver Knussen | D Major | 5 | 10B | 112 BPM | ||
Suite No. 2 in F Major, Op. 28, No. 2 (arr. C. Matthews): II. Song Without Words, "I'll Love My Love" | Colin Matthews, Gustav Holst, United States Air Force Band, Lowell Graham | C Minor | 0 | 5A | 71 BPM | ||
D'un matin de printemps | Lili Boulanger, Orchestre National De Lyon, Nikolaj Szeps-Znaider | C Major | 1 | 8B | 142 BPM | ||
The Long Day Closes: I. Main Titles | Milo Paulus | E Major | 2 | 12B | 107 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse - Instrumental | Gabriel Fauré, Philadelphia Orchestra, Charles Münch | C Major | 1 | 8B | 95 BPM | ||
Girls of the Golden West: Lola Montez Does the Spider Dance | John Adams, ORF Vienna Radio Symphony Orchestra, Marin Alsop | B♭ Major | 0 | 6B | 82 BPM | ||
Symphony No. 3, Op. 27, FS 60 "Sinfonia espansiva": II. Andante pastorale | Carl Nielsen, Lina Johnson, Yngve Søberg, Bergen Philharmonic Orchestra, Edward Gardner | F♯ Major | 1 | 2B | 81 BPM | ||
7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) | Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart | B♭ Major | 0 | 6B | 115 BPM | ||
Tromsö 2018 I | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM |
Section: 0.6528360843658447
End: 0.6586282253265381