Heinrich Marschner, Saxon State Opera Chorus, Dresden, Staatskapelle Dresden, Hans Vonk's 'Heinrich IV und D'Aubigné: Das jagdhorn schallt' came out on March 2, 2018. The duration of Heinrich IV und D'Aubigné: Das jagdhorn schallt is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Heinrich IV und D'Aubigné: Das jagdhorn schallt's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 68 in Chorszenen und Konzertchöre in Rundfunkaufnahmen ab 1938 by Various Artists, Karl Böhm, Kurt Striegler, Karl Elmendorff, Joseph Keilberth, Ernst Richter, Rudolf Kempe, Rudolf Neuhaus, Heinz Rögner, Hans Zimmer, Hans Vonk, Fabio Luisi, Constantin Trinks, Herbert Blomstedt, Giuseppe Sinopoli, Bernard Haitink, Sir Colin Davis, Myung-Whun Chung, Christian Thielemann. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Heinrich IV und D'Aubigné: Das jagdhorn schallt is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Heinrich IV und D'Aubigné: Das jagdhorn schallt by Heinrich Marschner, Saxon State Opera Chorus, Dresden, Staatskapelle Dresden, Hans Vonk is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | ||
Rund Um Die Liebe: Rund Um Die Liebe, Ouverture | Oscar Straus, Budapest Strauss Symphony Orchestra | A Major | 3 | 11B | 73 BPM | ||
Ave María (De Heinrich Marschner) | Heinrich Marschner | F Major | 2 | 7B | 91 BPM | ||
Marschner: Hans Heiling, Op. 80: "Gönne mir ein wort der Liebe" (Konrad) | Heinrich Marschner, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97, “Rhenish”: III. Nicht schnell | Robert Schumann, Philzuid, Duncan Ward | A♭ Major | 0 | 4B | 91 BPM | ||
La jota aragonese | Various Artists | G Minor | 2 | 6A | 137 BPM | ||
Cinderella Suite, Op. 87: Act I: Introduction | Sergei Prokofiev, Leonard Slatkin, St. Louis Symphony | F Major | 0 | 7B | 86 BPM | ||
Étienne Marcel, R. 209, Act III, The Night of St. John, Before Notre Dame (Excerpts): Entrée des écoliers et des ribaudes | Camille Saint-Saëns, Residentie Orkest Den Haag, Jun Markl | D Major | 2 | 10B | 132 BPM | ||
Serenade for Strings in C, Op. 48: 2. Walzer: Moderato (Tempo di valse) | Pyotr Ilyich Tchaikovsky, Saito Kinen Orchestra, Seiji Ozawa | E♭ Major | 0 | 5B | 111 BPM | ||
Preliudai (Preludes): Preludias, Op. 12, No. 1: Lento | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM |
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