- BPM
- 74
- Key
- G Major
- Camelot
- 9B
Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 - London Symphony Orchestra Information
- Acousticness
- 97%
- Danceability
- 17%
- Energy
- 9%
- Instrumentalness
- 94%
- Liveness
- 13%
- Loudness
- 56%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -26.387 dB
Summary
"Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19" by London Symphony Orchestra was released on February 14, 2012. Since Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Karol Szymanowski's "Impressionist Masterminds" album is number 11 out of 50. Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 BPM
We consider the tempo marking of Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 by London Symphony Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Russian Sailors Dance - Gliere | London Symphony Orchestra | D Minor | 4 | 7A | 79 BPM | |
 | Portals | Alan Silvestri | G Major | 5 | 9B | 93 BPM | |
 | Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 1 | 8B | 79 BPM | |
 | Prelude In C Minor, BWV 999 : Prelude In C Minor, BWV 999 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 120 BPM | |
 | Sonata No. 14 "Moonlight" in C-Sharp Minor", Op. 27 No. 2: I. Adagio sostenuto | Ludwig van Beethoven, Paul Lewis | D♭ Minor | 0 | 12A | 171 BPM | |
 | Serenade for tenor, horn & strings, Op. 31: Nocturne - The Splendour Falls on Castle Walls | Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra | E♭ Major | 2 | 5B | 134 BPM | |
 | Entry of the Gods into Valhalla | Richard Wagner, London Symphony Orchestra, Yondani Butt | D♭ Major | 0 | 3B | 51 BPM | |
 | The Godfather Waltz (Main Title) - From "The Godfather" Soundtrack | Nino Rota, Carlo Savina | C Minor | 1 | 5A | 83 BPM | |
 | Lawrence of Arabia- Overture | Maurice Jarre, London Symphony Orchestra, John Williams | G Major | 3 | 9B | 123 BPM | |
| Serenade for tenor, horn & strings, Op. 31: Dirge - This Ae Night | Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra | A♭ Major | 2 | 4B | 113 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7061276435852051
End: 0.7115836143493652