"Entry of the Gods into Valhalla" by Richard Wagner, London Symphony Orchestra, Yondani Butt was released on November 1, 2011. Since Entry of the Gods into Valhalla is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Works for Orchestra by Richard Wagner, London Symphony Orchestra, Yondani Butt. The song's track number on the album is #4 out of 7 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Entry of the Gods into Valhalla is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Entry of the Gods into Valhalla by Richard Wagner, London Symphony Orchestra, Yondani Butt has a tempo of 51 beats per a minute, the tempo markings of this song would be Lento (slowly). With Entry of the Gods into Valhalla being at 51 BPM, the half-time would be 26 BPM with a double-time of 102 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marche funèbre d'une marionnette | Charles Gounod, Eugene Ormandy | D Major | 0 | 10B | 135 BPM | ||
The Moldau (from Má Vlast): Allegro. The First Source of the Moldau - The Second Source - Woods; Hunt; L'istesso tempo ma moderato. Peasant Wedding; L'istesso tempo. Moonlight | Bedřich Smetana, Chicago Symphony Orchestra, Daniel Barenboim | G Major | 1 | 9B | 142 BPM | ||
Making Plans / Gathering the Clans | James Horner, London Symphony Orchestra | G Major | 2 | 9B | 127 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Der fliegende Hollander (the Flying Dutchman): Overture | Richard Wagner, Slovak Philharmonic, Michael Halasz | F Minor | 0 | 4A | 93 BPM | ||
Spartacus - Ballet Suite: Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra, Stanley Black | A♭ Major | 1 | 4B | 85 BPM | ||
The Princess Pleads For Wallace's Life | James Horner, London Symphony Orchestra | C Major | 0 | 8B | 73 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 3. Allegro scherzando | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | C Minor | 1 | 5A | 135 BPM | ||
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 133 BPM | ||
La gazza ladra: Overture | Gioachino Rossini, Prague Sinfonia, Christian Benda | E Major | 2 | 12B | 173 BPM |
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