"Variations on an Original Theme Enigma, Op. 36: VII. Variation Vi - Ysobel" by Edward Elgar, Orchestra Filarmonica della Calabria, Giovanni Sollima, Filippo Arlia was released on September 24, 2021. With Variations on an Original Theme Enigma, Op. 36: VII. Variation Vi - Ysobel being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 20 in Elgar: Cello Concerto, Enigma Variations by Edward Elgar, Giovanni Sollima, Orchestra Filarmonica della Calabria, Filippo Arlia. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Variations on an Original Theme Enigma, Op. 36: VII. Variation Vi - Ysobel's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations on an Original Theme Enigma, Op. 36: VII. Variation Vi - Ysobel by Edward Elgar, Orchestra Filarmonica della Calabria, Giovanni Sollima, Filippo Arlia is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Summer Night - Suite from 'The Duenna', Op. 123: 2. Serenade | Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 1 | 8B | 117 BPM | ||
Variations on a Theme by Tchaikovsky, Op. 35a: VII. Var. VI. Allegro con Spirito | Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà | C Minor | 1 | 5A | 140 BPM | ||
Intend | Orion King | D♭ Major | 2 | 3B | 151 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig | Robert Schumann, Antwerp Symphony Orchestra, Philippe Herreweghe | E♭ Major | 2 | 5B | 121 BPM | ||
Illusion, Op. 1, No. 2 | Selim Palmgren, Camerata Finlandia, Jorma Panula | E Minor | 0 | 9A | 172 BPM | ||
Bilder einer Ausstellung (Orch. M. Ravel): Promenade I | Modest Mussorgsky, Tonkünstler-Orchester, Jun Markl | D Major | 2 | 10B | 109 BPM | ||
Piano Concerto in E Major, Op. 59: III. Scherzo. Vivace | Moritz Moszkowski, BBC Scottish Symphony Orchestra, Jerzy Maksymiuk, Piers Lane | A Minor | 1 | 8A | 75 BPM | ||
Falla: El sombrero de tres picos, Pt. 2: Danza de los vecinos | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 121 BPM | ||
Rivulet of Truth | Danke Timi Briggs | G Minor | 2 | 6A | 121 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": II. Larghetto | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | D Minor | 1 | 7A | 105 BPM |
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