Nikolai Rimsky-Korsakov, Kurt Masur, New York Philharmonic's 'Rimsky-Korsakov: Capriccio espagnol, Op. 34: V. Fandango asturiano' came out on January 1, 1999. The duration of Rimsky-Korsakov: Capriccio espagnol, Op. 34: V. Fandango asturiano is about 3 minutes long, at 3:17. Based on our data, "Rimsky-Korsakov: Capriccio espagnol, Op. 34: V. Fandango asturiano" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "Rimsky-Korsakov: Scheherazade, Capriccio espagnol & Flight of the Bumblebee". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Rimsky-Korsakov: Capriccio espagnol, Op. 34: V. Fandango asturiano is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rimsky-Korsakov: Capriccio espagnol, Op. 34: V. Fandango asturiano by Nikolai Rimsky-Korsakov, Kurt Masur, New York Philharmonic having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Peer Gynt Suite No.1 op. 46 In the Hall of the Mountain King (Alla marciia e molto marcato) | Academy of St. Martin in the Fields | E Minor | 2 | 9A | 132 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Elfentanz, Op. 39 - Dance of the Elves | David Popper, Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov | G Major | 4 | 9B | 96 BPM | ||
Neapolitanskaya pesenka (Neapolitan song), Op. 63 (version for piano 4-hands) | Nikolai Rimsky-Korsakov, Caroline Clemmow, Anthony Goldstone | G Major | 1 | 9B | 104 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee | Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy | D Minor | 0 | 7A | 187 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Sueye Park, Love Derwinger | E Major | 1 | 12B | 83 BPM |
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